Comfortable

She squirmed her body and closed her eyes and leant her head back until it rested against the side of the bed, back till she looked at the world upside down.
A deep intake of air was followed by her breathless words: 'Are my legs hairy?'
A gasp later...
'Your legs are fine,' he said, with a smile in his voice.
She felt his rough hands glide up her thigh until she could do nothing but moan.
Soon he was on top of her, the muscles in his arms denting his skin. She felt suffocated and trapped and loved every minute of it.
They kissed, an awkward kiss, filled with passion and aggression and misdirection. Her mouth felt numb when he pulled back, exposing a face half lit from the yellow light of the bedside lamp.
'Do you like my lips?' she asked, looking up at him lovingly.
'I love you lips. And your eyes, and your nose, and your cheeks.'
'Not my ears?' she said, with mock sadness.
'Definitely your ears.' He said it quickly, without hesitation.
She pushed him onto his back and nudged his body over, so that he lay in the middle of the bed. After climbing onto his stomach, she ran her long fingernails down his chest and scratched the skin.
'Do you like my fingernails?'
'Not right now,' he said with a laugh.
'What?' she asked sincerely.
'I'm just kidding.'
Her lips pursed, she looked away, her body becoming colder. A moment later she returned her gaze and gave him a shy, closed mouth smile.
He pulled her head down so that their lips smacked. Her body warmed and she rubbed herself against him, gasping, moving faster, feeling him.
He grabbed her hips and made her body move the way he wanted. Before she could speak, he said: 'Yes, I love your hips. They're amazing.'
She smiled and felt they were together, as one. Her body got hotter and her movements quickened.
In between movements and moans she breathed: 'Do you like. My boobs?'
He cupped them and groaned and said: 'Yes. I. Fucking. Love. Your. Tits.'
A scream and she collapsed on top of him.
She found his chest and rested her head against it, running her fingers through his body hair. She pulled his arm around her body. Their breathing slowed in unison.
'I love being with you,' she said with a sigh. 'You make me feel so comfortable.'



© 2012 Ben Safta

Creative Commons LicenseThis work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Australia License

Occupied

Andrew pushed through the picture of an old bowler hat, swinging open the heavy door. As it slowly closed behind, he forced his way through the next door, identical in size and shape. The clatter of cutlery died away as he was sealed in.
Immediately to his right were two basins with accompanying mirrors. He shuffled past them and walked along the narrow gap beside the stalls. He kept walking and stopped. A large wall blocked his path.
Confused, he back-tracked to the basins. Where was the urinal? There were no hidden passageways, no strange corners. The only door was the one leading out. He eked it open a little, making sure to hold only the top part of the long handle, and peeked out: two walls along the side and one large door leading out to the dining area.
Creeping back inside, he slinked his way to the stalls and remembered they were both closed. He would have to wait.
He stood back from the first stall, shuffling his feet. One of his fists met his hip and he stood like that for around thirteen seconds. He caught his reflection in the mirror and quickly dropped the arm by his side. Now with nowhere to lean, both his arms simply dangled, unaccustomed to such freedom. This is where it would help to be in a gang, he thought. At least they know where to put their stray limbs.
To give his arms a proper job he pulled out his phone and tapped randomly on the buttons. The address book came up. He scrolled through the names and noticed a few who he never spoke to any more. The new task was a welcome reprieve. He began deleting names no longer required, to remove the clutter and free up room for new people. It sounded very cathartic. It also sounded like a good way to waste some time.
The list contained old job contacts, some friends from high school who he'd prefer to never see again, four or five different numbers for a past girlfriend who'd inevitably broken his heart, and a whole slew of people whose names he didn't recognise. It was an old phone.
The task was complete far too quickly and he was soon back to standing and waiting. He decided to slip the phone back into his pocket. This left his hands with nothing to do, so he rapped a few fingers against the the side of his suit pants. Rappp-ta-tat. Rapp-ta-tat. He imagined it sounding much louder than it did.
A new sound visited his ears, a squeaky noise. He stopped his rapping just as the inner toilet door opened up, a newcomer entering his world. With head down and a large bald spots showing, the newcomer moved across the small space quickly before noticing Andrew. He stopped.
'Oh, is...' the newcomer started, unsure of himself. 'Is this the line?' He stumbled over the last few words, changing them to 'A line?'
'Uh,' said Andrew quietly, 'yeah.'
Both men looked away from each other, shuffling their feet, hinting to the other that if there was more space they would happily be occupying it.
The newcomer pressed a hand on the side of the closest basin and leant his whole body against the porcelain. It looked wrong, like when old men try to seem cool. But Andrew chastised himself. Why hadn't he thought of leaning against the basin or a wall? He couldn't exactly do the same thing and lean against the second basin. For one, that would put him in close proximity to the newcomer. Second, and more importantly, it would look like he was just copying, following along. Now he was left standing on his heels, arms by his side, swaying.
He pulled the sleeves of his suit jacket down over his wrists and joined his hands so that they clasped in front of his body. He felt like a bouncer, but at least the pose would let him relax for a while, until the strain on his shoulders would undoubtedly force a repositioning. One of the stalls should be empty by then, at any rate.
The balls of his feet raised and lowered inside his dress shoes, shifting his body weight forward and back, then side to side. He circled his head into the air, stretching a tightening neck.
He blinked.
He blinked.
A slow intake of breath, held, then out again.
The newcomer hadn't seemed to move since melding with the basin - hadn't even made a sound - just rested there, leaning gently, arm out, making a kind of triangle. He probably hadn't even blinked, although Andrew wouldn't have had the gumption to check.
What he did check was the time. Eleven minutes. Surely even a number two would take a maximum of ten. That should be the cut-off, especially when you're out at a fancy restaurant.
Andrew thought about saying something to the newcomer, starting some idle chatter, perhaps about the weather or vague criticisms of the current government – the kind of conversation it would be easy to nod and agree with without much thought, even with a stranger. He even turned his whole body around until it faced the mirror, almost enough to be staring straight at his compatriot.
The newcomer waited until Andrew's body was all the way around before looking up expectantly, as if he'd sensed the turn as it started but was waiting until the right moment to feign surprise. He even pushed his glasses up the ridge of his nose before wetting his lips.
This last part coincided with Andrew doing exactly the same, mirroring the lip lick, and sent him into a full reverse. Soon he was once more facing the stalls, his back to the newcomer, the aborted attempt consigned to the history of the toilet. This made him think of moments in history where toilets played an integral part. Nothing came to his mind, not even likely apocryphal tales. Baths were the closest thing. Perhaps those close to the biggest characters in history were too conscious of the negative effects such a correlation could entail. Or perhaps, more likely, he just didn't know his history. The only thing he'd really learnt at school was that those who don't know history are doomed to repeat it. Ironically enough, it was only those words he did repeat – and often. It was his go-to statement in better company.
What was taking so long? He thought about heading back, like a returning soldier who hadn't seen any combat action. But that empty feeling of having failed the task would be worse than the full feeling of his bladder, which even now cramped his body. He would have to wait it out.
The door swung open, its edge banging against the wall. Both Andrew and the newcomer turned their heads, drawn by the sound, by the emergence of something new into their tranquil surroundings. The new newcomer was short, stocky, with slicked-back hair that didn't quite look right. His face was potted with dimples and a dark tan, the kind you only get by working outdoors. He paused only momentarily to assess the situation before rushing past the old newcomer, who's mouth was slightly ajar, and on past Andrew toward the door of the first stall.
Andrew's heart raced, his breathing quickened. What if the doors were just closed, and not really locked? What if there were no patrons relieving themselves after all? What if the past twelve minutes were for nothing? It was the kind of thing that would have been easier to deal with if he'd been alone, but quite different with a queue – even if it was a queue of one – behind him.
The new newcomer tried the first handle. It made a quiet mechanical sound as he pressed it down.
Andrew held his breath.
A few metallic sounding taps later it was clear the door was locked.
Andrew breathed out, much louder than he'd intended. He was about to look around at the old newcomer to see if it had made an impression but was diverted by the new newcomer reaching down for the second handle.
For some reason it didn't seem so bad if this second stall was unoccupied. At least it would mean he hadn't been completely wrong about the scenario. It might even lead to a faster escape if this new newcomer's enthusiasm outside the stall manifested itself in a reduced duration within.
For a brief moment Andrew thought of how to explain his extended absence to his true companion that night. It wasn't the right impression, not for a first date. And she wouldn't believe there was a line, not for the gentleman's. This thought, though, made him more hopeful that the second obstacle could be overcome quickly. And so, with wide eyes, Andrew watched the new newcomer press down the handle of the second stall. By the time he was tapping the third or forth time, Andrew felt the disappointment loosen his muscles and force a droop.
He heard a quiet exhale from behind. When he turned, the old newcomer lowered his head sheepishly. The fact they were clearly thinking the same thing felt strange and dirty for some reason. Andrew didn't want to connect with a stranger in the toilet, he wanted to do it with his date outside. The word tawdry came to his head, which reminded him of the word laundry. Thinking of hot steam and the smell of linen was at least a slight improvement.
The new newcomer emitted his own disappointed sound. 'Anyone in there?' he yelled, giving the door two loud but controlled thumps. A pause before a muffled squeak of 'Yes.' Rather than take this at face value, the new newcomer stalked the edge of the wall and leant down, looking under the exposed part of the doors. The shake of his head was enough for Andrew to know the result of this reconnaissance.
The new newcomer, who Andrew thought looked like a Jack or a John, returned to the queue he'd jumped. 'A bloody line for the men's!' he spat, standing with arms crossed. 'What is this, the ladies'?' he added, superfluously.
Out the corner of his eye Andrew noticed the old newcomer's faint nod, a kind of polite tacit agreement at a distance. He also noticed how much more animated the man had become since Jack or John's invasion. It was like the new energy and movement had made him more comfortable.
It didn't make Andrew more relaxed, though, just more cognisant of how long this whole endeavour was taking. He checked his phone for the time. It was, apparently, moving forward at great speed. Much faster than this line.
Jack or John exhaled loudly. The echo of his impatient footsteps bounced off the hard surfaces. The old newcomer exhaled a response, mirroring his mentor's actions. Andrew was about to do the same before realising what he was doing and stopped, mid-breath. He let the remaining air out slowly, quietly, and returned his attention to the stalls.
Andrew tried to control his own impatience. Instead of getting upset at the ordeal he had to focus his mind on a logical solution to the problem at hand. This would be his only escape. Even if he didn't come up with an answer, just concentrating on something other than his bladder may be enough to get him through.
But what other ways could this go? You either waited for the stall to be free or you left without completing the transaction. Those were the two choices.
'Come on!' shouted Jack or John.
The old newcomer let out a much quieter 'Yeah,' adding a small cough to clear his throat. Andrew thought that if the other man was a Jack or a John, this man would be a Francis or a Julian.
'How long you guys been waiting?' asked Jack.
'Oh,' started Francis, raising his sleeve and exposing an expensive looking watch. 'Almost close to ten minutes.' He said it like a sore five year old, wanting to go play outside. 'How long were you here before me?'
Andrew knew the last part was directed at him. He wasn't thrilled with the idea of communicating with these gentlemen more than he had to. He decided on a slow head turn with raised eyebrows, hoping to scare the attackers away with aloofness, like a king looking down on his subjects. When he caught Julian's bright eyes and animated face, Andrew knew that his first foray into royalty had failed to achieve any success.
'Hm?' he said.
Francis tapped his watch. 'How long?'
'Oh,' said Andrew. 'I don't know. A while.' Seventeen minutes to be exact, he thought.
'Too long,' said Jack, shaking his head.
'Yeah, too long,' said Francis.
Jack sniffed a few more times. 'I've got me wife out there. I'm only here for her. She always wanted to come here and I kept putting it off. But I said we'd come on our anniversary. That was a few years back now, but I've finally done the deed and instead of being out there getting all the praise and that, I have to stay in here.'
Andrew hoped he wasn't expecting a response from him. He had turned toward the stalls straight after uttering his line, showing the back of his head to the queue behind. Julian should act as a barrier, at any rate – he seemed very keen to discuss important matters.
'That's also my situation,' said Julian, fulfilling Andrew's hope. 'My wife has mentioned over and over how her friends are always dining here and how their husbands are happy to take them out all the time.'
'Ah, didn't wanna be in the bad books, hey mate?' said Jack.
Julian sniggered and let out a quiet 'No.'
'And for some good times later to show her appreciation, ey? Ey? What's the point otherwise?'
Julian smiled and nodded at his master's witticisms.
Andrew couldn't bear the discussion much longer. He'd have to just leave. There was quickly becoming no option. But then what would he do, seated at the table with a date and a bursting bladder? He'd be bent over for the rest of the evening.
'Screw this,' said Jack, 'I'm gonna try the disabled.'
Disabled toilets! Andrew's mind raced. Why didn't he think of that? Did they even have them here? He could have been in and out eighteen minutes ago.
The door swung closed, leaving only himself and Francis. Andrew turned to look at his toilet queue buddy who seemed dejected at the rejection of his mentor. He was clearly already back in his shell. Andrew then shared his attention between the closed doors of the stalls and the rest of the room.
Could he really use the disabled toilet, though? It was certainly true that he was unable to move freely from the pain. Surely that was enough? If a sour looking person in a wheelchair was to greet him on his exit, he could still justify the use because some pain would linger, even after the release.
Without exhibiting his usual caution, he fled the scene, shooting past the shocked reaction of Julian, pushing open the first then second door. There were a number of doors leading off from the small corridor. He noticed a caricature style drawing of a large dress and small umbrella, accurately determining that it signified the ladies toilets. Another door had no insignia at all, possibly housing cleaning supplies. A few steps along the corridor revealed a holy sight. It was the first time he'd, metaphorically at least, seen a halo and bright colours surrounding a wheelchair icon. The sirens of the door were calling him, singing his name. He glided closer and pressed a cheek lightly against the wood, showing gratitude. His momentary delirium faded away as soon as the red occupied notice above the handle hit his senses.
What was he thinking? Of course Jack or John would have made it here first. How stupid had he been? He appeased his self-chastisement by recognising the particular physical strain his body was in, and how that affected the psyche.
His bladder pressed harder against his sanity, the pain shooting through in waves. He bent over until the contraction was complete. Just as he was raising himself once more he heard a noise, like the running of distant water. It subsided quickly, leaving a quiet hum and a few knocks. Eyes widened, he raced back to the men's toilet and was greeted with the sight of a closing stall door and a new occupant near the second basin. The man was dressed in a dark suit with shiny black shoes. But what Andrew focussed on most was the large mop of curly blonde hair covering his head. He looked like he had stepped out from an eighties teen movie.
Andrew stared at him, then over to the closed stall door, then back to The Greatest American Hero. The Hero gave a smiling nod as he washed his hands.
Once the initial shock wore off, Andrew stomped over to the stalls to inspect them himself.
'They're both occupied,' said the Hero, bending his head around the stalls, before adding 'Sorry.' He grinned. It was probably meant as a personable gesture, but instead came across as schadenfreude.
The hum of the hand-drier accompanied Andrew back to his earlier starting position. After the doors swung shut, he was left alone in his queue of one, staring blankly at the doors of each stall.
He shuffled his feet and, once again, pulled out his phone.



© 2012 Ben Safta

Creative Commons LicenseThis work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Australia License

Inspired By

'What's with these ones?' said Nathan.
'Hm?' said Camilla, without looking up.
It had been a long time since they'd been in a book store – a real book store; the kind that only exist in stories, full of previously-loved dog-eared broken-spined dirty copies of anything obscure and everything marginalised. The fun of it was the cramped aisles and high shelves, forcing you to bend while you scoured, to stretch while you let through a fellow scavenger.
Camilla's attention was taken up with the best section of all. She leant over the low table and picked up book after book, below each finding another, and then another, all unsorted, all miscellaneous. Each tower of books was like an Easter egg hunt. Mmm...chocolate and books, the perfect combination, she thought.
'And how long are we gonna be here?' said Nathan, browsing away on the other side of the aisle. 'I've got a guild raid planned for tonight.'
'As long as it takes,' said Camilla, running her fingers over a rough velvet cover.
'Seriously, all these have inspired by John R R Marston on the front,' said Nathan. 'Is that some dead guy?'
'I'm surprised you don't know,' said Camilla, still sorting through the unsorted column of treasures. 'You're the one into fantasy.'
'Oh,' said Nathan. 'So he's some fantasy writer? Any good?'
'You really don't know the story?'
'Stories are boring.' He stopped dead. The words seemed to bounce against the edge of every soft cover in the store. The general murmur of the room died to nothing. Even the constant engine hum from the busy city street outside subsided.
'I mean, real stories,' he said, louder, hoping the books around the back would hear him. 'I'm a fiction person – what can I say?'
The atmosphere relaxed. The dust settled. The murmur of voices picked up. Beyond the windows a car honked its horn. Even Nathan felt brave enough to talk again, saying: 'Is it about some dead guy?'
'Don't rush me, let me tell it,' said Camilla. 'Around...what, ten years ago?, this guy Marston was in his forties at that point and living alone. He was working at a petrol station during the night-'
She stopped and looked pointedly at Nathan. 'Note that,' she continued, 'he was actually working a day job.'
'Yeah, yeah,' said Nathan. 'But that's for guys living alone. Not guys hitched up. Not guys like me.'
She sighed and continued: 'So he'd work all night, then spend all day planning out his fantasy novel. He'd been doing it for years and years, mostly adding back story and coming up with an extremely detailed fictional world, with different races and languages, kind of like Tolkien.'
'Who?'
'Hrm,' she growled, not feeding the troll. 'Anyway. After a few false starts, he finally gets to the point where he can write the actual novel - working title Redemption Island - and he's about three quarters through when he dies.'
'I knew it!' said Nathan.
'Apparently from a ruptured aneurysm or something but they still don't know for sure. Or they do but some people think it was suicide. He'd only updated his will a few weeks before and all his affairs seemed to have been settled, as they say. The will was changed to include a clause where everything he had written, including all the notes on this fictional world he'd created, would be released as public domain. I guess he wanted some small chance at living on past his death.'
'Like a zombie writer,' said Nathan. 'Worrrrrrds. I need worrrrrds.'
Immune to Nathan's poor attempts at humour, Camilla continued: 'But his family – well, a mother was all he really had, apart from an estranged sister working somewhere abroad as a journalist – the mother didn't like the idea of giving his stuff away. So she used some of the money from the sale of his furniture and paid for this rip-off book deal with a greedy publisher.'
'That's a tautology, that is,' said Nathan.
'Well done,' said Camilla, in the tone she'd use on her grade two class. 'You're learning big words now.'
Nathan beamed. Either he didn't catch the condescension or didn't care. 'So now heaps of people are writing books based off what he wrote?' he said.
'No. No, no, no. Oh no. It quickly shot into the dizzying heights of relative obscurity. In fact, quite specific obscurity. No one bought it. No one heard about it. No one cared.'
'That strikes a chord,' said Nathan, dejectedly.
'Some time later this guy's sister comes back from overseas. Her and the mum had had a huge fight years before and so the mum hadn't even told her about his death. So she checks out his will properly and realises that what the mum did was against his wishes. Not just with the book stuff, but he'd also left his house to this local charity, which would use it for some kind of halfway house, and the mum had started renting it out.'
'You seem to know a lot of detail about this thing,' said Nathan.
'I read about it,' said Camilla. 'There's a biography around here somewhere. They never put it with the inspired by section, though.'
Nathan yawned. 'So, his sister...'
'Yeah, his sister is quite annoyed at the whole thing. The dead have no rights, and all that. She goes about putting the book on some website, along with all the notes she can rustle up. She happens to know some journalists from a few newspapers and gets them to write a story about the whole thing.'
'Typical,' said Nathan. 'It's not what you know...'
'The main teaser that the articles go with are more about how the book was supposed to end, since it's got a bit of a murder mystery element to it.'
'Ooh!' exclaimed Nathan. 'It wasn't a dragon detective book was it? I love those! Especially the ones with a teenage vampire as the side-kick, like Brknjeiojl and the Missing Emerald Enderbal-'
'How can you get through that junk?'
'Or The Cases of the three-winged Fionn, or the Morganna Byron series.'
'And you say you don't read.'
'Ooh, and The Quest for the Legendary Last Chronicles Trilogy! Probably the best dragon detective books I've ever read.'
'No dragons in Marston's unfinished work,' said Camilla. 'Or Vampires. Thank god. But a real mystery about the mystery. Anyway, this teaser inspired all sorts of people and soon there were web sites devoted to working out who the killer was. Some people even started to write their own endings. Unfortunately.'
'Unfortunately?'
'Ever read much fanfic?'
'It's free, so it can't be any good,' said Nathan.
'Not quite what I was going for. Plenty of good free stuff, just like there's plenty of crap pricey stuff.' Like that lime green top you've got on, she thought. 'But when it comes to fanfic, it's more like wading through a lake of flesh-burning lava to find that one tiny pool of water. So the early attempts at writing endings didn't turn out well. That is, until a woman called Lucy Wilson came onto the scene and completely nailed it. She'd even done such a good job of following John R R Marston's style that you couldn't tell where his left off and where hers began.'
'Ah. So all these things are just endings to the first book, really. Bit boring when you think about it. I don't like to put you down for an anti-climactic ending, but that story of yours just petered out into nothing. Probably like these books.'
'Hang on, I haven't finished yet. Marston's mother started sending all these cease and desist letters to anything remotely related to her late son's work. She had no leg to stand on legally since it was pretty clearly public domain. But that doesn't mean it won't cost money to defend it. The scare campaign worked for a while, it made people think twice about publishing their derived works. One of the authors who fought back and actually went to trial was Lucy Wilson.'
'Oh goodie, a court room drama,' said Nathan.
'It did get interesting, since a number of major publishing houses filed friend-of-the-court briefs on the mother's side, trying to make things more expensive for Wilson. It's in their own interests to have all-rights-reserved style copyrights with the longest duration possible – not to allow people to freely create stuff based off the public domain. And it stinks that they can just-'
'You know I have mucho affection for you Cam, but I don't think the book store can take a full-on Camilla rant.'
His following smile subdued her building anger.
'Yeah, well,' she said. 'Thankfully, the community fought back and put together a fund to take the case to completion. And Lucy Wilson won!'
'Good for her. Still, if it's just about writing an ending to a novel I think-'
'No, it isn't just that,' said Camilla. 'What happened next was much more interesting. Remember how I said Marston kept notes about his entire fictional world and all that back story? Well Lucy Wilson ran with that too and was inspired to write her own stories, but set in this world. She started with the main characters, the ones with more depth to them, then slowly started incorporating the lesser ones. Pretty soon other writers were doing the same, and a whole series was being written by disparate authors. Some of the stories overlapped, some contradicted others, but the fictional world was gaining more depth and was being influenced by a diverse set of people. There's even talk of movies and TV shows in the pipeline. It's like anyone can now find an inspired by John R R Marston story they'd enjoy.'
'Even dragon detective stories?'
Camilla ran her finger over the cover of The Dragon Detective Sled And His Sexy Apprentice Faith Bloodraine In Redemption Island – Inspired by John R R Marston. 'Let's get out of here,' she said, hurriedly. 'You've got a raid to prepare for.'



© 2012 Ben Safta

Creative Commons LicenseThis work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Australia License

The Austere Blackwood And The Carpenter Of Geïrlenn

Now it happened on a certain time that a young carpenter of strong stock did travel the lands long and far in search of a home and life. After much journeying he came across an extraordinarily lush forest overgrown from the voices of a lost age, with blackwoods thicker and stronger than in Lörgren itself.
It happened that nearby this wooded paradise perched a hamlet; its folk simple, with desires befitting such humble surrounds. 'A good wife and good supper,' was how they'd explain it. 'And perhaps a fresh ale on a cold night,' added those who frequented the inn.
'Twas upon such an eve that our traveller did decide to bed, taking stock in a small room with fittings for one. Laid back on straw bedding, with only himself for company, he licked his lips and whistled into the wind a lullaby of hope for past dreams and a future brimming with natural simplicity.
He awoke no less than thirty long years thereafter in a cottage built with his own hands and seams bursting from a burgeoning kin. Hearing the rising screams of newborn, he readied himself for the day as he did all others: with a splash of cold water across a wrinkled face of silver whiskers and a quiet stroll into the heart of his mistress, Nature.
Avoiding the patter of young feet, ignoring the sweet smells of the most sumptuous kind of breakfast on a crisp morning, our traveller who, it should be clear by now is a traveller no more, stepped out into the misty morn, the muted sun affixed low across the rolling hills, and did gaze upon the sundry of his homestead. The large house, with extensions clinging to extensions, had formed a hideous whole, a confused menagerie of life, standing in contrast to the natural simplicity of the rolling hills and even grass of the surrounding countryside.
Bounding down a well-worn trail, skirting the receding tree line, he came across a strange bird seated upon the thick stump of a felled blackwood, its velvet black wings streaked with a line of blood red. Unlike the Family-pigot's of East-Farlands, this bird of unknowable origin chirped no song; indeed it made no sound at all. Like a silhouette it stood, dark against the glow of golden sun at its back.
A sudden breeze flowed across the hills and hit the nearby forest, which whistled and rustled in earnest discourse. A Godswind they'd call it in the old country, for it was as if the Gods themselves were speaking through the trees, commanding a council to discuss the fortunes of men. The carpenter, now old and wise, took heed of the warnings and stood silent, allowing the Gods their discourse without interruption, not once contemplating the blasphemous notion of interpreting such a sermon, instead turning his sharp eyes on the thin red stripe that spoiled the bird's otherwise flawless façade.
Turning to his own attire, he peered down at long draped robes, purple and yellow, embroidered with jewels, lined with the finest silk discovered on trade wagons from lands far. The intricate patterns blurred his mind in complication. Worse still were the tassels that dangled from each thick button, all ending in a charm made of silver and gold. His toes wiggled in rich red slippers, a gift from one of his more tasteless customers.
After thirty years he had built a reputation as the finest carpenter of the region, skilled most astutely in furniture of the most regal kind, full of ornamentation and delicate touches, smoothly rendered, solidly built from the choicest wood. Gentry from far would travel to sit but once on bespoke chairs that would reach the highest ceiling in the tallest halls, that would glitter with the reds and greens of beset rubies and emeralds, dazzling onlookers. Such quality and precise detail would deem it a throne to neighbours, filling its owner with the hearty esteem of his peers.
The most renowned piece the carpenter made was a monstrosity. Cut from the premium parcels of over one hundred strong blackwoods, its sheer weight was enough to rival the Great Palace Walls. Roads were widened for its transport, others still built, with fifty men and fifty wheels straining to shift the burden. To say it had the appearance of a chair would be to call a sprawling forest a twig. Emblems and engravings covered the wood, hiding it like one might a crazed uncle.
Ah, what folly, he thought to himself. Why have you lost your way so? What happened to that young man, many years ago, with the wisdom to follow the simplicity of the greatest creator of all? He would not have bowed to pettiness of a rich client, supplementing precise design with superfluous embellishment. So why should you?
'Argh, 'twas easier when younger,' he said gruffly, his morning voice croaking. ''Tis always easier on the young, with no fears or understandings of the real world. T'easy naught the burden of responsibility.'
The bird cocked its head as if raising an ear to the words. It squawked a response, short and shrill, hopped on frail feet, then opened its wings wide, flapping its communication to those who understood.
The man rubbed his sleep-filled eyes, enjoying the warm sensation of skin against skin. Beyond where the bird perched sat the clear boundary of the forest, cut back with successive customer demands, reeling from the township that was beginning to outgrow it. When he first arrived he'd spent days scouting the choicest blackwood from which to carve a design. But lately deadlines had loomed, money was needed for the burgeoning family, responsibilities had bared their teeth and forced him into the corner of mediocre, riding on the coattails of a reputation that no longer befitted him.
'Ah, but that can change,' he said. 'If needs require action, then action it shall receive.'
He returned to the house in form but not spirit, carrying out his alternate duties as husband and father as required, before beginning the work day. The small shed that had become his workshop was clean, empty of orders, ready for a new design. The thought of a long trek through the forest in search of the right tree now seemed at odds with his redeemed philosophy, particularly when he could spy some lumber that would do the job and then some.
He toiled through the day and into the night, dismissing offers for hot tea, ignoring pleas to escape the rain. The night wore on and eased into day, but the cost was worth it. Before him stood a chair bearing four simple legs, a squared off seat and flat back, each affixed with a minimal of joins.
It was beautiful.
The man was joyous for days. Rich men and those of good families travelled night and day to inspect his newest creation, saddled full of high hopes and gold coins. To his chagrin, each to a man left with their weighted burden upheld. They were not interested in such a simple chair. 'Why would I buy this,' they would say, 'when any could have created it? How am I to engender lustful gazes of my peers when they, too, could own such a chair for coppers?' He was baffled by their foolishness and at times required the restrains of neutral parties, such was his anger.
The only solace from their tortuous words was the sense of order the chair bestowed on its surroundings, the simple way it sat and held its own in a world of chaos. This was to be the answer then. A new life beckoned. Change was needed.
No more than seven days later did he address his family in the cramped dining room. They were to leave. All of them. Before the moon shone again. They would require their own abode, far from that place.
Shouting and argument forged from all quarters, besieging the old man with rancour and vitriol. He stood his ground, forcing them out with strength of character and biceps of rock. The few squatters that remained were subjected to a swinging axe and quickly fled, extensions raining down on all sides.
When he later inspected his house he was pleased for it was improved - smaller, simpler, better. For weeks he was satisfied. His broad smile scared off all interlopers, even his dear wife who begged and pleaded with the man.
But lo, a feeling crept deep within, crept and perched on his chest, just as the black bird sat atop the stump. It would not budge and he would not tell it to budge. He listened to it, felt its sharpness turning against his skin as the world turned over itself. The feeling grew until its weight was too strong and the man realised what must be done.
'It is...too much,' he groaned, standing bright and yellow beside his house, the first and only house he ever made, standing with a long torch in hand, its flames licking the cool night air. 'Too much.'
At once the flame attacked the house, eating it away in chunks, devouring with little regard for history.
'You were what I once wanted,' said the man, 'what I thought I wanted. But now I see the folly. You are too much.'
In the darkness the figure fled the warmth and light, bounding away into the forest, a glistening blade his only companion. Deep inside the dense wood, as the beginnings of morning floated in the heavens, the man found the spot. In amongst some larger blackwoods sat the massive stump of his first felling, its rings etched as deep grooves, its wood still healthy and strong. He sat upon its strength and felt the pull of peace within, a light breeze caressing his closed eyelids in a tender fashion. These were his parents in spiritual form, what he never had, never could have. And he was content.
Alas, the feeling lasted no time at all, for on its back came a rush of currents, swirling through his soul, spraying him into action. He swung his trusty blade indiscriminately like the fabled Madmen of Elleron, a rage known only to those whose spirit had fallen, landing blows against wood of all heights, cutting through smaller shrubs and grass, hitting the very air itself. Casting no shadows, he raped the forest of its livelihood before falling to his knees in exhaustion, panting.
He surveyed the large circumference around the stump of the great blackwood, the barren dirt and pleasing emptiness a brief reprieve for his senses. No life would sully his eye, nor sounds pierce his senses. It was better. Simpler.
Crouching on one knee, the old man pressed a hand against the dirt, expelling an oomph as he pushed off and rose. Where his fingers touched the ground an indentation remained. A few sweeps of his foot and the surface was clear once more, in its place a darkness, moving in the slight breeze. Wisps of black encroached his mind, harassed his nerves and spoiled the simplicity of his cultivation. He raised the blade to his head, a larger shadow forming, reinforcing, an additive to misery.
Again his muscles swelled with the energy of an inexhaustible fire, twitching with need, desperate to end the grotesque movement. In one fell swoop the metal sliced through until slowly, floating like a dream, shards of hair made their way to his feet, resting in part on the tips of his toes. He kicked them away, he buried them, he stamped and trampled over their remains.
But now he knew: there would be no reprieve. The blades of hair, just as the grass and the trees and his soul, while gone from sight, would forever remain beneath the surface, taunting him, reminding him. Tears welled up in the corners of his deep blue eyes.
Then practicality took hold as a shadow once again crossed beneath his blurred vision. A stray leg, a great trunk, connecting him to the sullied ground, the uneven textures and purveyor of hidden complexity: it, too, must go.
A swing and a thud as the leg flopped to the ground. A hopping shadow soon became squat as a second trunk was felled.
Sweet pain dripped through the carpenter's body like honey. A smile formed around yellowed teeth. The momentary elation, however, was soon withered as the grim reality of what must be splashed over him.
Tiny beads formed on his bare scalp, cold droplets of mist from the cool air. He swallowed, gulping down the pain of necessity, his throat tightening, preparing itself for the release. Hard steel soon wrapped itself around the skin and sliced through in a single energetic whip.
Peace.
Tranquil, unfiltered, peace.
The carpenter's head sat motionless, alone, perched on the great stump, looking out at the circle of nothingness. It blinked. The tongue licked its lips; not for thirst or desire, merely out of habit. After a swallow, the carpenter's mind came into focus. Glassy eyes became clear as pupils shifted their gaze, squinting at the nothing surrounding it, struggling to find focus. Suddenly the air itself became clear and it was as if the world had changed from the very large to the very tiny. Bubbles seemed to float by, bubbles of water, tiny bubbles of chaos, swimming along invisible tides, showering down on him and over him, clouding his view, nothing but bubbles, thick, slow moving, air-clogging bubbles.
He closed his eyes tight, a creased strain upon his face. With eyelids once more raised, the scene remained unchanged. Fear gripped him. The warmth of anger wavered against his skin as he tried to see through the bubbles, through momentary gaps, searching for nothing and only nothing. Instead he spotted a sight far worse: for between the floating muddle of bubbles were more bubbles. And between those were yet more, smaller still. If he could examine the gaps more clearly, if his eyesight was that to match the Elder Ceerlicles of Gragos, he knew that he would find, no matter how closely he watched, how deeply his eyes strained, there would always be something smaller, something more to cloud his vision of tranquillity, more complexity for a soul in search of simplicity.
And he cried out for eternity.



© 2012 Ben Safta

Creative Commons LicenseThis work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Australia License

Pira the Precocious Penguin

There once was a young penguin named Pira.
Pira liked the cold Arctic sky.
Pira liked the clouds.
Pira liked the birds most of all...
...Because Pira wanted to fly!

'How do I fly?' asked Pira.
'Stop dreaming,' said Penelope, her mum. 'Penguins don't fly.'
'Oh,' said Pira.
'Now help me care for your brothers and sisters.'
But Pira had her head in the clouds.

'How do I fly?' asked Pira.
'You are silly,' said Peter, her uncle. 'You can't.'
'Oh,' said Pira.
'Now help me dive for fish so that I may eat.'
But Pira had her head in the clouds.

'How do I fly?' asked Pira.
'Fly?' said Penne, her best friend. 'Stop wasting time.'
'Oh,' said Pira.
'Now help me learn so that I may survive.'
But Pira had her head in the clouds.

'How do I fly?' asked Pira.
'Just open your wings and flap,' said a puffin, perched on a rock. 'It's easy.'
'Oh,' said Pira.
'Now try it with me so that I can find a mate.'
The little puffin flapped its wings and flew into the sky.
Pira flapped and flapped. Then flapped some more. With every flap she strained and stretched and stared down at one of her little feet, lifting, lifting, higher, higher. Then she turned and noticed her other foot still on the ice.
She could not fly.

'Pira!' said her mum.
'Pira!' said her uncle.
'Pira!' said her best friend.
'Pira!' said the puffin.
'You have not helped us. We are tired. We are hungry. We are dumb. We are lonely. Why have you not helped us?'
Pira reached down with her useless wing and grabbed a metal object from the ice, strapping it to her back.
'Because I'm going to fly!' she said.
Fire shot out the bottom of the jet pack. She rose slowly before shooting up into the sky. Pira was flying!
And it was fucking awesome!



© 2012 Ben Safta

Creative Commons LicenseThis work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Australia License

Righteousness

Step forth to the temple steps. Stand in awe at the large marble columns, the overstated majesty of history, the delicate details that dispel questioning thoughts of genuine tradition. Bow your head in reverence, for the building alone has been touched by the miraculous inhabitants, has felt the clip and the clop of light footwear across its hard floors, has heard more than you dream possible. Bow not to the skilled craftsmen who fashioned this heartbeat of your town, for they are normal, like you. The temple is not great for its aesthetics or materials; the temple is great because of those who reside within.
Do not fear when such a priest takes you by the right hand, begins the ceremony, shakes it with more force and more gusto than necessary. You may fear his smile, his white teeth, the creases near his lips, for they have meaning.
Walk slowly but purposefully through the large opened doors. You must not appear rushed or nervous, for they smell fear. Try not to look out of place as you slip past others who know the rites, their uniforms uncreased and fresh, their faces clean, their hair stuck in place. They possess all the power and they know it.
This great hall, this anteroom, emphasises the power and privilege, showers you in wonder and enchantment, feeds your doubts and subservience to their great God. At its centre, defended by the large circular desk, sit the gatekeepers, their disinterest and formality serving as a reminder of who holds the power. You must not shy away, for you have the key in your possession. You will feel the urge to touch your trouser pocket, to feel the outline, but believe me when I tell you the price of the key has already been paid. If it were different, the great priest would not be by your side. He is your key now. He holds the answers to the questioning gatekeepers. He is able to speak their tongue, converse in arcane language, nod at the right times. It is he who allows your safe passage past the gatekeepers and further, into the inferno.
Tread lightly up the hard steps. Notice the echo of this odyssey clash against your ears, adding to the echo of others, some like you, some not. It is easy to feel alone in the temple, to feel the weight of history bearing down upon you. Realise that many have stepped through those doors and that you are nothing, a nobody, a normal. They will remind you of this at every occasion. This is their duty. To elevate themselves above you they have a choice: rise higher in faith and knowledge, lead the way in ethics and morality; or subjugate and push down all others, show them how little worth your soul possesses. They speak of the former while acting upon the latter. It is their way.
Do not let the dome of light blind you from above. It exists to reinforce the notion of a higher power, the same power the priests pray to, that all pray to. On the outside, away from the temple, this God is treated with a distant reverence, with restrained respect. But here, deep inside the heart, it is given prominence above all other Gods as the only thing separating us from the savages of the past, the necessary ingredient for a modern society. So the priests tell us. It is, after all, their raison d'être.
You are close now. Stand outside the altar room, by the frosted glass doors. Make yourself comfortable, for the most influential spells the priests cast affect time itself. Every utterance from their spellbooks are to this end. Do not expect this to go quickly. Be ready for delays. Learn patience. Then learn it again. For normal minds do not comprehend the glacial speed of a priest at work. You will return to this temple again many times. It will feel that the ritual is going backwards, that time itself reverses its course. You must change the way your mind works, alter your understanding of progress, for they will not change their ways, and they hold all the power.
You will be tempted to steal a rest in one of the uncomfortable chairs, to take what you can before others remove the opportunity from you, to stake out something of your own. It is not necessary: the priests will ultimately have everything of yours, everything of value, including your spirit and eternal life-force. The others know this. You will learn it soon.
Much later you will enter the room. You will feel shocked at the modesty, let down with the lack of grandeur. You will wonder if the simple wooden furniture and the plain, straight walls exist to lower your expectations, to give them the upper hand. But it is not so. For they have you now. You are in the heart. This is where they are strongest. They have no need to suggest power when here, more than anywhere, they possess it.
Do not take notice of the large symbol on the wall. You will think it is where they get their power from, given only at the symbol's will. It is a trap! They have power because those before them had power. They hold onto it tightly, protecting their place in the world. For you see they write the rules. They are the ones who truly govern. It is them and their brethren who allow and deny, and by their laws entrench power.
For now you must do as you are told. You will wonder why. They would tell you with fast words that this process whereby you are struck silent is the only way to avoid a future of slavery, where you are told when to drink and when to eat and when to speak. You will wonder how this is different. They would tell you that here, you voluntarily do as commanded. It is your choice. Whereas, if you do not win the battle for your body, for your livelihood, you will perform as commanded by force. You may still be unable to find a difference. They will not care.
The ritual will begin. Do not pretend to understand the ritual, for knowledge comes only to the chosen. Feel grateful for any crumb that falls your way, that flows from their hallowed lips across your shaking body. Their rules will seem arcane. Because they are. Their rules will seem arbitrary. Because they are. They will not speak of their God to you, insisting it is their own hands that are tied. If they could pray directly to the God, to express the truth of your predicament, then where would that leave us? In chaos! If just anyone could lay themselves before the God then tyranny must naturally follow. No, they will say, we must follow the rules for the rules are everything. If that means gambling for your life, then that is what must be.
One priest will rise above all others, will sit at rest with long, flowing hair. His garb will confound you. He will preach to the room for formality. He will preach to the other priests, for they are who his words are truly for. He will preach to you with contempt. He will look sternly upon you, look through your eyes, stare into your soul, poke through all your past sins and leave nothing to mercy. For high upon the throne, the head priest feels the power, knows his mastery over you.
Allow your own priest to pray indirectly to his God. Allow him to speak in his own language. Allow him to lay you prostrate before their God, before Justice, and hold you up to the face of twelve others, twelve like you, normal. But feel their power. Notice their expressions. Guess at their thoughts. Know that your fate is in their hands. Pray to them deeply with answers, with hope. Believe in yourself the way you want them to believe in you. For this is the only way. This is civilised society. This is humane. This is democracy. This is Justice.



© 2012 Ben Safta

Creative Commons LicenseThis work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Australia License

Sale

'Man, you shoulda just seen what this bloke done. What? Oh, yeah, three more pints of West End, thanks love. Yeah, so he's gone up to this clothes place that was havin' a sale, all sorts a signs out front, talkin' about this much off or what have you. So he's gone in and-'
'Most of the signs said the sale was up to sixty percent off.'
'Right, right, let me tell the story. So as I was sayin', this bloke, he's gone into this clothes shop and looked around at some a the clothes, lookin' close, like at the prices and shit.'
'The most they had off was ten percent. These places always do that. It's like the rug places that are always closing down. It irritates me.'
'So anyway, right, this bloke, right, he picks up one a the jeans and goes right up to the place where you pay. The girl says it'll be fifty nine dollars whatever. And then, wait for it, this is the good bit: this bloke right here, right, he hands over twenty bucks. The girl didn't- Ooh, thanks pet. Nice head hey boys? What? Oh, nah, my mate here'll pay for 'em, right champ? So where was I? Oh yeah, this girl behind the register, she don't look like she gives a shit about anything and says something about him still needing another thirty or whatever, and he's like “Nah, twenny'll be fine.” Now she actually looks the bludger in the face and says that the jeans cost fitty nine whatever. She's all serious and that. Then this bloke says “I think I'll just pay twenny.” This bitch don't know what to say; don't know whether to get angry or just laugh. So she gets her boss. Her boss is another chick – not bad for in her forties - don't look like she takes no shit, neither. This bloke says the same thing to her and she don't know what to say. He then says he can maybe go twenny five, but that's it.'
'She thought I was just bartering and told me that the price was the price. I told her I wasn't bartering, and that I was certainly willing to go up to fifty nine dollars.'
'Ha! Ya hear that? So the hottie boss is just about to chuck him out when some others in the store all kick up a stink. They tell'er that the bloke's right, that it's only fair dinkum' to sell 'im the jeans at twenny bucks. Funniest thing I seen in ages. Thing was, these guys – they told me this after, when we was talkin' - they was also pissed at all the up to stuff. It's like they was just waitin' for someone to take the lead and then they'd folla. So anyway, with 'em saying to the boss lady what should be done, she does the only thing she can do and that's sell the damn thing at twenny bucks. Funniest thing I ever seen!'



© 2012 Ben Safta

Creative Commons LicenseThis work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Australia License

Them!

Oh, such a glorious day! The sun shines brightly, laying patterns of light and shadow on the ground. The birds are singing and frolicking from branch to branch. The yellows and reds of the flowers appear striking against the backdrop of deep green leaves. The scent of the grass floats effortlessly over these lush surroundings.
On such a wonderful day you would expect the park to be full. And indeed it is. Over there you can see two work colleagues forging their way to the bench, cannisters in hand, ready to fill up for the afternoon slog. Over here you can make out a cyclist riding fast along the twisting path, her large head pushed back by the wind. And if you come this way, over the bridge, around the fountain, past the trees, just here, seated in seclusion under a great oak, you can make out two lovers, embracing, fingers against hands, her body intertwined in his, their giant balloon heads making a rubbery noise as they kiss.
'Mr Helium...' says one, with a daintily coy movement of her hand, 'you know that which we spoke of before...?'
Mr Helium's head physically deflates, making a squeaking sound. He becomes more serious.
'Must we discuss this now, Miss Hydrogen? Can we not just enjoy ourselves?'
Miss Hydrogen pouts.
'My dear,' he continues, 'I merely wish to bestow my full attention and affection on you!'
Mr Helium touches her thin leg, sliding his long, flat, rounded fingers near her valve. 'Oh, you enlarge me so,' he says, as his head inflates to double its normal size.
Miss Hydrogen's pink head becomes at once redder.
A low, droning beat seems to fill Mr Helium's body. Boom, boom, boom, echoes the deep sound. 'Argh!' He clutches his head in pain.
'Are you well?' asks Miss Hydrogen, full of worry for her beloved.
'A moment,' asserts Mr Helium. 'It will pass.'
'You proclaimed as such at our last rendezvous,' says Miss Hydrogen. 'You must be seen to by a physician.'
'Physicians? Tch! I need no such thing. Poked and prodded, then filled to the brim with gas? As if that would cure my ails. Ha! Physicians!'
'You are right, of course,' says Miss Hydrogen, submissively. Her passive face then takes on a brighter form. 'Now that we are to be wedded, I can take care of you.'
'And I can take care of you,' he says, winking.
She blushes once more. A slow turn later she is face to face with the massive head of her lover. 'I wish to be in your arms forever,' she says, breathlessly.
His response is cut short by a loud thud from the other side of the oak tree. Small branches come crashing down on them both. As fast as he can, Mr Helium slowly floats above Miss Hydrogen in an effort to put her light body out of harms way. He bravely bears the brunt of dirt and grass and other debris.
A moment later the chaos has subsided. Miss Hydrogen is shook up, but takes the time to caress Mr Helium's face, nudging the dirt enough so that it slides down the smooth rubbery surface of his skin. She notices a blemish, a lighter strip of blue along his cheek.
'You are hurt, my love!' she screams.
'Merely a scratch,' he says, fending away her motherly advances. 'Come, let us investigate the source of this mess.'
Mr Helium leads Miss Hydrogen around the tree, their heads trailing behind. They stop dead at a hole in the ground, a hole that seems to have a...shape. Miss Hydrogen cuddles in close, holding her love by the arm. He leans out over the hole, looking down into it, then shoots back up, stunned.
'What is it, dear?' says Miss Hydrogen, leaning over the hole herself.
'Don't look,' says Mr Helium, desperately, but it is too late. Below them, at the bottom of the small hole, prostrate on its back, lies a naked human body.
Miss Hydrogen scans it from toe to head. A wry smile appears on her contorted mouth. 'Look at the shape of its head!' she says, and lets out a laugh.
'It is minuscule indeed,' says Mr Helium, allowing himself a chuckle.
They share a smile and visibly relax. Mr Helium peels away from Miss Hydrogen, breaking their grip, and once more leans over the body, his head bobbing up and down.
'From where could it have originated?' Miss Hydrogen asks. 'There is nothing in sight.'
She releases a small valve behind her head which causes it to tilt back and back until perpendicular to her body. She looks up at the sky.
'Maybe it is from an aeroblimp!' she continues. Then, yet more excitedly: 'Or perhaps a giant catapult!'
She squeezes her hand repeatedly, each pump lowering her head.
'Enough fancy,' commands Mr Helium. He has dropped down into the hole and is kneeling lightly on the body. 'The chest is hard. Little gas remains. He can not be alive.'
Miss Hydrogen's head continues to tilt down and is now looking over the body. As her hand stops pumping, she looks from it to the strange body's hand.
'Aww, such gorgeous little hands, she says. 'Much like a baby.'
'Agh, cease that incessant topic!' spits Mr Helium. He feels the echo build up inside him once more, the deep bass sound of feet trampling heavily over hard ground. He closes his eyes and allows it to pass.
Miss Hydrogen drops down lightly on the body, joining Mr Helium. Her expression becomes more inquisitive. She touches the hand then pulls away quickly, afraid of some repercussion, perhaps of being burnt or poisoned. When she is sure it is safe she picks it up again. It is soft and feels strange to the touch. What's more, it is pink - just like the rest of the body. She turns the hand and notices something on its palm.
'Look,' she says. 'What do you suppose it means?'
Mr Helium seems reluctant to inquire. The earnest urging of his beloved relieves his hesitation and so his bobbing head leans in closer to take a look. Tattooed on the palm of one of its fat little hands is a single die with two dots on its face.
He scratches his egg-shaped chin. 'Do you suppose there are two of them?'
A small squirt of gas squeezes out of Miss Hydrogen, shrinking her head. With it, her facial expression becomes compressed, with pursed lips and frowning eyebrows.
Another loud bang. More dirt and dust fly above them. Miss Hydrogen cowers beneath Mr Helium, clutching his body tightly. Soon after, the pair emerge from the hole and push through the dust, coming quickly to another hole and another human body.
'This must be the female of the species,' says Mr Helium. 'It may be beneficial to examine her chest.'
Miss Hydrogen smacks Mr Helium.
'To check for life gas, that is,' he says, lacking confidence in his correction.
She pulls him back and drops down into the hole. A short gas release later she is looking down at the smaller, more delicate body. Her own hand trembles as she lowers it. The naked woman's palm is exposed, revealing a die as before, but this time with four dots on its face.
'Four and two...' says Miss Hydrogen, almost to herself. She looks up at Mr Helium. 'Do you think it is important?'
Mr Helium muses over this for some time, his expression filled with intrigue and gravity. His furrowed brow relaxes as he comes, seemingly, to a conclusion.
'I am sure it is nothing to panic over,' he says. 'Come, let us run gaily through the trees together!'
Miss Hydrogen looks back with confusion and disdain. She steps out of the hole and comes close to her beloved. After a beat her lips curl up and she starts to smile.
'Of course!' she says, enthusiastically.
They take each other's hand and, giddy, dance off, floating in the direction of some trees.
Soon the laughter becomes more distant. The fallen bodies lie unmoving in their holes. The man's palm is still facing upwards, still showing the die of two. In his other hand, tucked just below his body, and set between finger and thumb, sits a small, thin, metal pin.
The man's eyes open suddenly. They blink.
POP!



© 2012 Ben Safta

Creative Commons LicenseThis work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Australia License

How Are You?

A light touch caressed my skin, moving slowly, delicately, gently drawing me away from sleep.
I blinked and saw only a mist.
I blinked again and slowly the shapes changed and swirled, becoming a face with smooth, pale skin, framed by short, dark hair, slightly bushy after a long night. One delicate hand rested beneath, causing a slight indent in the pillow.
I looked more closely as a thick bottom lip, dry and reddened, opened slightly, sticking to itself a little before breaking free and revealing two bucked front teeth.
I smiled. I couldn't help it. You smiled back, then immediately pushed your bottom lip beneath your top lip, embarrassed at the show of affection.
My lips curled more broadly as I smiled further. Is it possible to be so happy it hurts?
My eyes focussed on a cute little nose, lightly sprinkled with freckles and touched by a fragment of sunshine, up further to large brown eyes, blinking at me impassively, doleful in expression.
I breathed in and out deeply.
Without repose my eyes darted over your face, perhaps looking for an imperfection and if so, finding none. I leaned in and gently, very gently, pressed my lips against yours. I surrounded your bottom lip with mine, sucking lightly as I pulled away.
I lowered my head and looked up at you deeply.
'Hey,' I said, my voice breaking a little.
'Hey,' you said, your voice slightly croaky, how it always was.
I pressed my lips against your nose and held them there, letting the warmth of my breath pulse in waves against your skin. I pulled back slowly to watch your nose wriggle.
You smiled – a cheeky grin.
'How are you feeling?' you asked.
I looked back deeply, not wanting to look away, never wanting to look away. How could I describe how I felt? This was perfection. It couldn't get better than this.
But then...
A slight feeling in the pit of my stomach.
That was true, wasn't it? It really couldn't be any better. It could only get worse. A bunch of what-if's flooded my mind.
What if my feelings changed? What if I no longer wanted to be with you constantly, every second of every minute of every hour of every day? What if it became every fourth second, or every fifth minute, or every sixth hour or every seventh day? Could there be a time when I would only want to see you once a week? Or not at all?
The feeling in my stomach grew.
If things settled down, like they say it does, like they all say it does, once this period is over, and we settle into some kind of daily life with ups and downs - what then? As I get to know you will your cute nose wriggles become annoying? Will I tire of that strange way you tap your finger against the spoon to ration the sugar on your cereal? Will I cringe when you keep flicking your short hair, as if it has fallen across your eye, knowing it was far away? How could I not touch your skin and become giddy from caressing your goose bumps? How could I not feel joy in your happiness? Surely that could never happen. How could it? You're the cutest thing in the entire world. Put you next to a fluffy puppy and a sleeping baby and you'd make them look ordinary. But what if?
We will live our lives together and have children; cute, adorable children since they are from you. But what if this changes how I feel about you? What if I start to resent the time you no longer have for me and the sharing of your love? Will I come home from work and head straight for the TV or the computer? Will we live separate lives, two strangers sharing the same house?
When my brother died, before we were together, before I knew you, I was so sure I couldn't go on. All those sleepless nights, all that crying, all that pain in my stomach. And the tiredness, the absolute tiredness. But slowly I got an hour or two of sleep and slowly I returned to work and slowly I started going out again. It never left me, but I survived. And I keep surviving. But if that can change, if my assured self-destruction wasn't so absolute, then why would my feelings of love be immutable?
You want to know how I am feeling? I feel scared. I don't want things to change. I don't want to lose this feeling. I will end up chasing it till I die. Chasing the butterflies and the warmth and the self-assuredness and the lack of doubt and the connection we share.
But I can't tell you. It will have to be my only secret from you. If I say anything you will think I'm questioning the relationship, questioning my own feelings about you. But that's not true! I love you more than anyone could love another person, more than you'll ever know. You are my soul mate, my best friend, my everything. I just don't want these feelings to change.
What can I do to stop it? What could I possibly ask of you? You are perfect. Any change would destroy that. Should I just hang on for as long as possible and enjoy the ride, knowing that one day things will be different?
It's already changed! I have doubts. There were none before. I don't want them. I want to be ignorant. I want to think and feel with you, not about you.
So how am I really feeling? Maybe I'm not scared. Maybe I'm disappointed, sad, resigned to the only future possible. Maybe that's all I can be.
I rolled over.
'I'm fine.'



© 2012 Ben Safta

Creative Commons LicenseThis work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Australia License

Amazing Man vs The Electron Wonder

Amazing Man poses proudly in his fluorescent yellow ensemble, an orange mask providing much needed protection from revengeful thugs, identity thieves, and an adoring public. None of which take the stage this dark night, where a dim moon, spotted street lights, an occasional moving headlight and the pearly glow of a crime-ridden city provide the only source of luminescence. Swaying, slowly, his bursting biceps and sagging triceps give little indication of the massive strength at the core of his body, a body not of this Earth.
Arriving alone from the planet Allesus, his people at war, a poignant parable and basis for many story arcs, Amazing Man had the misfortune of a stolid upbringing with little adventure and less fun. His foster parents did provide the essentials: high expectations, conditional love, and a little prayer. After the first few indications of super-strength, the obligatory devil recriminations forced a naïve teenage Allesian to fight his own innocence in a depraved society filled with hate and crime.
Now, alone, beneath decrepit city buildings, with peeling paint and shattered windows, forming the backdrop to a potential battle yet to unfold, Amazing Man edges forward.
Flash! Bang!
In steps The Electron Wonder, his muted blue vest almost hidden by the bright embossed lightning bolt covering a hairy chest of steel. The eyes tell a story: the child of a broken marriage, his propensity for criminal malfeasance bringing with it only hollow reprise from the torture and abuse bestowed upon his psyche by the woman charged by nature with his upbringing. If juvenile detention couldn't hold his passion, the streets would do their best to provide a moral compass, a refuge, a last chance at redemption. With Lily by his side, a run-away and fellow junkie, they took pleasure in others' misery. Until he became the target. Rejected, her departure couldn't dent the surface let alone break his heart, for that had happened long ago.
Or did she return from a parallel universe, espousing a defense of doppelgangers and multiple Earths, of evil nemeses hell-bent on destroying the multi-verse?
Whichever origin story you believe, he now stands before the only chance of salvation and of giving meaning to his faltered life. To grow up hard makes you harder. The result is a young man possessed not only of confidence, but of an unparalleled propensity for cocky, brash, arrogant, smug, hubristic, sure-footed, overweening, bumptious, self-assuredness.
An aggressive stance follows, his silver painted face awash with the memories of a sure victory. The only thing standing in his way - rocking, swaying in his way - is a bright do-gooder, an annoying mosquito, buzzing over his shoulder, just asking to be squashed.
The Electron Wonder edges closer.
AM vs TEW, round 1. Fight!
'I have been around since the nineteen thirties, in one form or another,' says Amazing man, sneaking in the first glancing blow, a mild warm-up, acting more as a warning shot that a full-blooded attack.
-1 HP TEW
'Pfft,' scoffs The Electron Wonder. 'I'm more edgy, more now. You're an old man. It's my brooding darkness and emotional pain that my fans connect with. What do you have? Yellow underwear?'
Ooh, a damaging opening salvo, piercing through the thin yet comfortable shielding of his opponent's cotton-blend attire, with a liberal sprinkling of ad hominem.
PoW! -2 HP AM
'You may scoff at my longevity, young man,' says the Amazing Allesian, 'but during that time I have spawned over one thousand comic books, in five separate volumes, amongst a plethora of special appearances. All before you were created.'
Oomph! -2 HP TEW
That one almost took The Electron Wonder's feet out from under him. A moment to regain his composure, and then he is off, charging hard and strong with a lightning counter-attack:
'My latest issue is the world-wide highest selling paperback in history!'
KaDunk! -2 HP AM
Ouch, that's gotta hurt. Amazing man gingerly rises from his rickety knees, letting out a small grunt as his old muscles stretch. He tries a new tactic:
'I've starred in seven films, including one reboot, and have been referenced in at least one hundred other titles. Two television shows, three radio serials, countless theatre productions – I am what people think of when they hear the word superhero!'
Shock! -5 HP TEW
The great man's echo reverberates around the chipped walls and empty alleys, coinciding with a distant siren, adding two additional hit points of damage to the boy.
Clutching his arm tight, The Electron Wonder is hurt. His ego more bruised than his skin, he shakes his head quickly, vocalising a bubbling noise which snaps him out of the pain of his memories and forces his blood to flow, making his face appear purple.
'Your TV shows have been yanked, old man. Mine is going strong, now in its fifth season. My soon-to-be-released feature film has the largest budget in the history of cinema, with prime-time superbowl ads and more merchandise than Star Wars.'
WoWowy! -3 HP AM
A stunning blow right into the steely stomach of Amazing Man, lifting him off the ground, up above the street lights, into darkness, his own darkness, coming to land on soiled newspapers and rotten fruit scraps. Visibly battered and winded, his face is the picture of shock, the kind of confused expression on someone who's never felt that kind of force, even from evil alien nemeses or near-apocalyptic cataclysm.
Floating to his feet, Amazing Man moves with an adroitness unexpected in such an old thirty two year old. In a flash he is upon The Electron Wonder, wielding statistics faster than any human politician, relaying dollars earned per quarter in all media, influence of fictional technology on real scientific breakthroughs, convention numbers, fan activity online, and anything else that can even tangentially be quantified. Each fact, each figure, jabbing The Electron Wonder, forcing him back, and back, and back.
-1 HP TEW
-1 HP TEW
-1 HP TEW
-1 HP TEW
-1 HP TEW
The boy falls, hard against the cement wall of an abandoned factory, bringing him face to face with his own abandonment issues, his own recollections of a life without a father, without a role model.
'I am the face of virtue,' continues the Allesian, standing over his opponent, letting his loud words fall fast onto the sunken figure. 'I am the face of honour, of courage, of honesty. I am what all little children look up to, what all parents encourage. I am the surrogate father of the world.' A large gesture with arms outstretched, a booming voice almost too much for the prostrate teen.
A tear, glittering silver in the moonlight, slinks down the cheek of The Electron Wonder. His eyes flicker and he looks away, down, ashamed.
Amazing Man does not hesitate and, on the precipice of delivering a final volley, leans in closer with a stern countenance, facing his adversary square in the eye.
'Wait,' says The Electron Wonder hoarsely, his breathing now heavy, his mind awash with the past.
Amazing Man, swearing an oath to uphold the highest of principles, allows the young man a chance to collect his thoughts and expel a final utterance.
'I...' begins The Electron Wonder, stuttering, forming a strange visage. 'I..I am your son.'
Kazowie! -50HP AM
And with those four words, spoken in innocence, calling into question every portion of the great man's morality, his very character dealt the deadliest of blows, Amazing Man is flung high into the air, out of the Earth's atmosphere, beyond our nearest planets, on a trajectory to Allesia, past the only barrier a fictional character can never overcome: obscurity.
The Electron Wonder. Wins!



© 2012 Ben Safta

Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Australia License

Smile

What I remember most about that evening took place early in our conversation. I was hot, stuffed into a dark suit. You were cool, flowing in that light dress. I began by mangling some French, contorting it in ways that should never be heard. My aim was not to show off, not at all, but to convince you that I wasn't the nobody I truly was, aiming to give myself the slightest chance in amongst the better-dressed opposition. They say there is no class system in this country but there are families and children brought up with wealth, with power, and they all seemed to be in that banquet hall, all putting on a show.
You said my French accent was very good, very refined. I knew you were merely being polite but it gave me hope and encouragement to forge on. If you had espoused even the slightest hint of derision I would have fled, run back to my hole of solitude with the realisation that I had aimed too high.
But you didn't.
You sung back in your native French, a little too fast, with vocabulary from a much later chapter.
'Lent, s'il vous plaît,' I pleaded.
You looked at me quizzically.
'I think I've been found out,' I said, adding a smile.
I was about to look down at my feet, shy away, do what I always do in awkward conversations, and if I had, I may have lost you. But I didn't. I looked straight into your beckoning blue eyes and noticed your expression change. Your face began to lift and brighten. Your skin became paler, stretched, lovelier. The tips of your lips followed, and slowly you began to smile.
Time ceased.
I wouldn't like to picture how stupid I looked, staring, awestruck, as you gave me your first smile. So many useless thoughts cluttered my mind. I made a pledge, even then, to do everything in my power to make you smile, to be honoured with its eternal presence. No, not eternal, since then I would miss that change, that slow movement which took seconds, the part that I cherished, even then. It was a signal that life was worth living. It was your gift. I wanted that little movement to be eternal. I wanted it all to myself.
My life would not be where it is now if not for that smile. It gave me hope and faith and reason. It was everything.
I look at you now and you are smiling, still smiling, but not because of me. It is some other hand at work, a skilled artisan, an underrated member of society who has made you smile today. Now the world can see your smile. You will wear it forever.
But I will no longer see that change. I will no longer relive the first time we spoke, in that great hall, surrounded by those much more suited to your elegance. I will never again see that transformation, that slow movement, that wondrous change. I will never again see you smile.



© 2012 Ben Safta

Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Australia License