Showing posts with label relationship. Show all posts
Showing posts with label relationship. Show all posts

Comfortable

She squirmed her body and closed her eyes and leant her head back until it rested against the side of the bed, back till she looked at the world upside down.
A deep intake of air was followed by her breathless words: 'Are my legs hairy?'
A gasp later...
'Your legs are fine,' he said, with a smile in his voice.
She felt his rough hands glide up her thigh until she could do nothing but moan.
Soon he was on top of her, the muscles in his arms denting his skin. She felt suffocated and trapped and loved every minute of it.
They kissed, an awkward kiss, filled with passion and aggression and misdirection. Her mouth felt numb when he pulled back, exposing a face half lit from the yellow light of the bedside lamp.
'Do you like my lips?' she asked, looking up at him lovingly.
'I love you lips. And your eyes, and your nose, and your cheeks.'
'Not my ears?' she said, with mock sadness.
'Definitely your ears.' He said it quickly, without hesitation.
She pushed him onto his back and nudged his body over, so that he lay in the middle of the bed. After climbing onto his stomach, she ran her long fingernails down his chest and scratched the skin.
'Do you like my fingernails?'
'Not right now,' he said with a laugh.
'What?' she asked sincerely.
'I'm just kidding.'
Her lips pursed, she looked away, her body becoming colder. A moment later she returned her gaze and gave him a shy, closed mouth smile.
He pulled her head down so that their lips smacked. Her body warmed and she rubbed herself against him, gasping, moving faster, feeling him.
He grabbed her hips and made her body move the way he wanted. Before she could speak, he said: 'Yes, I love your hips. They're amazing.'
She smiled and felt they were together, as one. Her body got hotter and her movements quickened.
In between movements and moans she breathed: 'Do you like. My boobs?'
He cupped them and groaned and said: 'Yes. I. Fucking. Love. Your. Tits.'
A scream and she collapsed on top of him.
She found his chest and rested her head against it, running her fingers through his body hair. She pulled his arm around her body. Their breathing slowed in unison.
'I love being with you,' she said with a sigh. 'You make me feel so comfortable.'



© 2012 Ben Safta

Creative Commons LicenseThis work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Australia License

How Are You?

A light touch caressed my skin, moving slowly, delicately, gently drawing me away from sleep.
I blinked and saw only a mist.
I blinked again and slowly the shapes changed and swirled, becoming a face with smooth, pale skin, framed by short, dark hair, slightly bushy after a long night. One delicate hand rested beneath, causing a slight indent in the pillow.
I looked more closely as a thick bottom lip, dry and reddened, opened slightly, sticking to itself a little before breaking free and revealing two bucked front teeth.
I smiled. I couldn't help it. You smiled back, then immediately pushed your bottom lip beneath your top lip, embarrassed at the show of affection.
My lips curled more broadly as I smiled further. Is it possible to be so happy it hurts?
My eyes focussed on a cute little nose, lightly sprinkled with freckles and touched by a fragment of sunshine, up further to large brown eyes, blinking at me impassively, doleful in expression.
I breathed in and out deeply.
Without repose my eyes darted over your face, perhaps looking for an imperfection and if so, finding none. I leaned in and gently, very gently, pressed my lips against yours. I surrounded your bottom lip with mine, sucking lightly as I pulled away.
I lowered my head and looked up at you deeply.
'Hey,' I said, my voice breaking a little.
'Hey,' you said, your voice slightly croaky, how it always was.
I pressed my lips against your nose and held them there, letting the warmth of my breath pulse in waves against your skin. I pulled back slowly to watch your nose wriggle.
You smiled – a cheeky grin.
'How are you feeling?' you asked.
I looked back deeply, not wanting to look away, never wanting to look away. How could I describe how I felt? This was perfection. It couldn't get better than this.
But then...
A slight feeling in the pit of my stomach.
That was true, wasn't it? It really couldn't be any better. It could only get worse. A bunch of what-if's flooded my mind.
What if my feelings changed? What if I no longer wanted to be with you constantly, every second of every minute of every hour of every day? What if it became every fourth second, or every fifth minute, or every sixth hour or every seventh day? Could there be a time when I would only want to see you once a week? Or not at all?
The feeling in my stomach grew.
If things settled down, like they say it does, like they all say it does, once this period is over, and we settle into some kind of daily life with ups and downs - what then? As I get to know you will your cute nose wriggles become annoying? Will I tire of that strange way you tap your finger against the spoon to ration the sugar on your cereal? Will I cringe when you keep flicking your short hair, as if it has fallen across your eye, knowing it was far away? How could I not touch your skin and become giddy from caressing your goose bumps? How could I not feel joy in your happiness? Surely that could never happen. How could it? You're the cutest thing in the entire world. Put you next to a fluffy puppy and a sleeping baby and you'd make them look ordinary. But what if?
We will live our lives together and have children; cute, adorable children since they are from you. But what if this changes how I feel about you? What if I start to resent the time you no longer have for me and the sharing of your love? Will I come home from work and head straight for the TV or the computer? Will we live separate lives, two strangers sharing the same house?
When my brother died, before we were together, before I knew you, I was so sure I couldn't go on. All those sleepless nights, all that crying, all that pain in my stomach. And the tiredness, the absolute tiredness. But slowly I got an hour or two of sleep and slowly I returned to work and slowly I started going out again. It never left me, but I survived. And I keep surviving. But if that can change, if my assured self-destruction wasn't so absolute, then why would my feelings of love be immutable?
You want to know how I am feeling? I feel scared. I don't want things to change. I don't want to lose this feeling. I will end up chasing it till I die. Chasing the butterflies and the warmth and the self-assuredness and the lack of doubt and the connection we share.
But I can't tell you. It will have to be my only secret from you. If I say anything you will think I'm questioning the relationship, questioning my own feelings about you. But that's not true! I love you more than anyone could love another person, more than you'll ever know. You are my soul mate, my best friend, my everything. I just don't want these feelings to change.
What can I do to stop it? What could I possibly ask of you? You are perfect. Any change would destroy that. Should I just hang on for as long as possible and enjoy the ride, knowing that one day things will be different?
It's already changed! I have doubts. There were none before. I don't want them. I want to be ignorant. I want to think and feel with you, not about you.
So how am I really feeling? Maybe I'm not scared. Maybe I'm disappointed, sad, resigned to the only future possible. Maybe that's all I can be.
I rolled over.
'I'm fine.'



© 2012 Ben Safta

Creative Commons LicenseThis work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Australia License

Smile

What I remember most about that evening took place early in our conversation. I was hot, stuffed into a dark suit. You were cool, flowing in that light dress. I began by mangling some French, contorting it in ways that should never be heard. My aim was not to show off, not at all, but to convince you that I wasn't the nobody I truly was, aiming to give myself the slightest chance in amongst the better-dressed opposition. They say there is no class system in this country but there are families and children brought up with wealth, with power, and they all seemed to be in that banquet hall, all putting on a show.
You said my French accent was very good, very refined. I knew you were merely being polite but it gave me hope and encouragement to forge on. If you had espoused even the slightest hint of derision I would have fled, run back to my hole of solitude with the realisation that I had aimed too high.
But you didn't.
You sung back in your native French, a little too fast, with vocabulary from a much later chapter.
'Lent, s'il vous plaƮt,' I pleaded.
You looked at me quizzically.
'I think I've been found out,' I said, adding a smile.
I was about to look down at my feet, shy away, do what I always do in awkward conversations, and if I had, I may have lost you. But I didn't. I looked straight into your beckoning blue eyes and noticed your expression change. Your face began to lift and brighten. Your skin became paler, stretched, lovelier. The tips of your lips followed, and slowly you began to smile.
Time ceased.
I wouldn't like to picture how stupid I looked, staring, awestruck, as you gave me your first smile. So many useless thoughts cluttered my mind. I made a pledge, even then, to do everything in my power to make you smile, to be honoured with its eternal presence. No, not eternal, since then I would miss that change, that slow movement which took seconds, the part that I cherished, even then. It was a signal that life was worth living. It was your gift. I wanted that little movement to be eternal. I wanted it all to myself.
My life would not be where it is now if not for that smile. It gave me hope and faith and reason. It was everything.
I look at you now and you are smiling, still smiling, but not because of me. It is some other hand at work, a skilled artisan, an underrated member of society who has made you smile today. Now the world can see your smile. You will wear it forever.
But I will no longer see that change. I will no longer relive the first time we spoke, in that great hall, surrounded by those much more suited to your elegance. I will never again see that transformation, that slow movement, that wondrous change. I will never again see you smile.



© 2012 Ben Safta

Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Australia License


Nine Hundred and Ninety Nine Cranes

The gloom shone as he glanced back at the car, filled with his entire life. Or at least everything he was able to pack quickly.
He shivered, clutching himself, while walking the short path. The front gate looked just as rickety as last time, its hinges bent, the steel rusted over and rusted over again. He thought of exposed wounds not healing and hoped the spirits were giving him a sign.
He stopped and looked over at the front yard. Then, just as now, he found beauty in the order. It was not brash, but restrained, deferential. The garden knew its place and would never draw attention to itself. But if you looked closely you'd find an infinite amount of detail to get lost in. Was this the way with all Japanese gardens? Or were you supposed to find something else in them?
Already he was at the little pavilion. Even under dark clouds, the red of its low wooden walls stood out. He followed a flapping noise until uncovering a crane: beautiful, poised, embroidered in fabric. But injured – a laceration across the wing, where the stitching had come loose. The cool breeze gave it a slight tug, drawing it away, before moving back like it was in flight and he remembered her. He remembered the way she sat, so still, with lowered head, her thin grey eyes constantly downcast. He remembered wondering what was going on in the mind behind those eyes, in the soul behind that mind. What sort of pain could you keep inside such a small chest?
Out here, on that day, both of them sitting against the red. This was the only time he saw a tear. A single drop of pain, flowing slowly down a pale cheek.
He stood, out here, on this day, watching the crane, covered in the drops of early morning dew. He wondered how many times, after that day, she rested against that crane and released one more piece of her pain, how many days she felt alone. A surge of regret affected him. Had he really come for forgiveness? Or something else?
Standing at the front door he was overcome by the smell of larch. The only other time he tasted that scent was behind this door, on that day, sitting, avoiding the person he was with. It all seemed so mundane, so grey; simple, sombre people encased in a mist. Then, through the gloom, he had noticed a strip of black fabric. Enclosed within was the shape of a girl. Not the body – there was no body left – just a figure, entangled in amongst the gathering, but set apart, like a ghost. She was most alone surrounded by all those people.
A suddenness had hit him and he wanted more than anything to hug her heart, to make it warm and safe and strong. But they had never met before and it felt wrong to have such convictions. Wasn't that for others to provide for; family, proper family, and friends, proper friends?
So he waited and watched, but did not stare. With her eyes averted he could have stared. But he stole his glances in waves, each peek offering a special newness.
The flutter of a bird's wings made him jump. Just as they did for her that day, before their eyes locked, where he had tried to let her read the kindness and empathy in his expression. She stared, that day, not breaking away, not letting him in on her feelings.
He knocked on the door. And waited.
It was that tenderness, that introspective nature in her which pulled at him. It was the kind of instant connection which made him doubt himself and his feelings. But the doubt didn't last long – how could it with that kind of gentleness? Was this as those of the past would write about? Was this real love? Not lust or admiration or friendship, but real, true love?
He remembered her large mouth barely moving. Her voice, when she spoke, was soft and deliberate. She saved most of her energy for breathing. She was perfectly equanimous. It was the most beautiful vision he had ever encountered.
'Coming!' shrilled a loud noise from within.
He was brought back into the current world, the darker world; but a world with that spark of hope, of anticipation.
'Hey, sorry about that,' said a teenager at the door. 'Was just doing the dishes and – oh.' The teenager looked up for the first time. 'Sorry, I thought you were someone else,' she said.
He took a deep breath and controlled his expression, relaxing his facial muscles. Was he someone else? Was she someone else? He looked closer and recognised the small indent on her top lip.
'Are you looking for mum?' she said.
'Yes,' he said.
'She just went out. Be back soonish if you wanna wait.'
She shrugged, which contorted her face even more.
'Err, you alright?' she said.
The abrasiveness of her voice made him shiver. He pretended it was the cold air and shrank away.
She led him inside.

His mind was jumbled, confused, concerned. This wasn't right. And why did he lie?
He sat in the lounge room and looked through the arched doorway to the body in the kitchen. It was a body now, not just a shape, with wide hips and frizzled hair, with denim jeans too tight and a white top too loose. He peered with disdain at the outline of a dark coloured bra underneath.
'So how do you know mum?' she said, in between clanks and chinks of dishes.
He tried to speak but his mouth would not move.
'Hey?' she screamed, assuming she did not hear.
'I was here at the funeral,' he blurted out.
'The funeral?' she said, undulating incessantly.
This can't be right, he thought. But it can't be her sister - she was an only child. And it was only a few years ago.
'Oh,' she said, gaining understanding. 'Really? I don't remember you. How did you know dad?'
'It was more my...the person I was with, at the time, she was related to you. To your father.'
'We don't really see that side of the family much. Most of 'em are in Japan, I think.'
'Yes. I haven't seen you since that day.'
'Oh my god!' she screamed and came into lounge room.
Did she finally recognise him? At least that was something. At least the tug he had felt was truly two-sided. It wasn't in his mind, not this time. It was truth where before there had been none.
'What was I like? I bet I was embarrassing.'
He looked down.
'Mum doesn't talk about any of that stuff, like with dad and that,' she continued. 'I didn't talk much then, either, did I? God, I was so shy. And stupid. Jeez, I remember just not wanting to talk at all, like everyone should just know what I'm feeling and know when I was hot or cold or thirsty or tired. But not hungry – I never ate.'
And you were beautiful because of it all, he thought.
'Oh, and even nodding was so tiring!' she said while nodding vociferously, as if making up for lost time. It was ugly. The movements were erratic, fast, uncontrolled. It was like she was outside of herself.
He let out an involuntary noise, a grunt. He tried to think back to her face, to how it was, how tender and sweet and gentle, but the vision would not come. It was gone. Faded like the ghost it probably was.
He felt the presence of the garden, peering in at him through the large window. He turned toward it and closed his eyes. A moment of tranquillity filled his soul. When his eyes opened he spoke, softly: 'Your garden still looks nice.'
'We get someone in to do it. Some Filipino guy or whatever. Always pervin' on me, ha! Creep.'
'The crane is injured.'
'Huh?' she said, again screwing up her face.
'The crane in the pavilion. It was damaged. Perhaps by the recent winds?'
'Oh, that. Nah, mum didn't want that changed. That's how it was when he died.'
How had he forgotten the crane's state that day? If he miss-remembered that, perhaps the rest was a dream. He began drowning in doubt.
'She got all weird and has made the whole thing some...what's that word? Like when you make something to remind you of a dead person?'
'A shrine?' he ventured, monotonously.
'Yeah, I guess.'
He felt the coarse words hang, motionless, ingratiating themselves into him. And so he let the conversation end. Part of him wanted to say something more, to clear up any misunderstandings. But what could he say? It would sound sleazy and, to her, he'd be the same as the gardener, a creep. Worse, someone who could be discussed lightly with strangers.
A stranger. That's what he was. That's what she was, now, too. She'd become older but had now grown up. She'd somehow un-grown, become less than she was, less than the delicate petal he remembered.
A knock echoed through the house and she raced to the door. There was no point in forcing himself to endure any more misery so he took the diversion as an opportunity to escape. He did not want to engage with her mum, did not want to make up stories and lie about his reasons for being there. And if it was someone else at the door, a boy, a man...he wasn't sure what it all meant, what the feeling in his stomach meant. Whatever it was, whatever he was here for, he didn't have it, and never would.

Crouching, he pulled his hands away and sat back. A long, deep breath later the wind picked up and carried it out the pavilion. He flung himself into the garden and looked into the darkened sky. The crane flapped its wings and flew, up into heaven.



© 2011 Ben Safta

Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Australia License

A Dream Too Far

I took a long drag on my freshly lit cigarette and blew out slowly. The smoke twisted and bobbed in the slight cool breeze of twilight.
There were still people on the street but this was a time of change. The last of the city workers were drudging their way home, happy for the few hours of home life they'd enjoy before doing it all over again. Meanwhile, the social peeps were just beginning to teem in and invade the city in their own way.
With ciggy in mouth I rubbed my hands together, trying to keep warm. I should've worn a coat, something warmer, but I forgot how cold Autumn nights get.
The glass pane on my back was freezing. I could feel the bumps from the relief text: Cook ducks $16.95 each. I peeled myself off the window and took another drag, stepping a few times on the spot to keep warm. I looked down at the pavement. Between the crack of cement was a patch of green, a small stem reaching up into the sky. On top of the stem a dull red flower, its petals almost completely unfurled, a little beaten up. Even in this concrete prison it was somehow surviving. Trodden on daily by boots and high-heels, pressed down, pushed, scraped, but enduring well enough to stretch itself out for the last dregs of sunshine. Then bunking down and doing it all over again tomorrow. That's the way these things worked. You didn't enjoy; you weren't happy – you survived.
'I'm here, Ange. I haven't gone. You can come out now.'
The voice was distant, diffuse. As if the words were meant for someone from a different world, a secret place, away from the pain and mundane misery of life.
I looked across the road for its source. I could just make out the silhouette of a laughing couple, swaying down the footpath arm in arm, their bodies pressed together as if they were one. For a moment it reminded me of a cheesy creature from an old B-grade film; some cheap version of Frankenstein's monster, joined at the hip, its two heads bobbing up from the marshy lagoon.
That wasn't where the voice came from.
I blinked. A little way back, behind the rampaging monster, shuffled a short, squat, blob. An old woman, hunched over. She moved a little to one side. Then back to the other side. Slowly. Craning her neck each time. Looking out into the grey light. Something in her hand, pieces of paper. She seemed tired, worn.
'Come on, it's time to go,' I think the old woman said. Nobody else was around. She was talking to no one. Crazy, most likely. How sad.
The street was in its nightly lull. It looked a little sad itself. It was built for people. It needs people, just like us. Sure, they'd come. Later. In their droves. Young girls painting the footpath with vomit. Young boys leaving their own rubber imprint on the road. But for now, it was nearly empty. Just the crazy old woman and me.
'Hey,' said a voice in my ear, loud in the crisp air.
She stood beside me. But not too close. Not close enough to feel her warmth.
'Hi,' I replied, looking down.
'Been waiting long?' she asked.
Another drag. I held the smoke in my chest.
The petals on the flower were beginning to close in. It had had enough. It was time to retreat and be alone for a while, protected from the world. I looked closer at its centre, at the stigma, and wondered in awe at the tiny, delicate appendages. It was only at times like this that I would take any notice of nature. When things are going well, you do. When things are going bad, you think.
I began to blow the smoke out subconsciously. I stopped abruptly, wanting to – no, needing to avoid spraying the flower with toxins. I coughed, spluttering to my side.
I rubbed my watery eyes with an arm and spat on the concrete. She didn't say anything. A time long ago she would have been angry, shocked with such bad manners. A long time before that she would have been too embarrassed to scold me directly, resorting to a little joke. But now she didn't really care.
'Not too long,' I responded, sniffing.
She didn't reply. I'm not sure if she nodded or not. I don't think I would have noticed even if I were watching.
We stood in silence. In our own little worlds. I tried to think back to what it was like when I couldn't stop talking to her. Back then, as soon as we parted, I would see something strange, think of someone silly, hear something funny, and have the urge to tell her right away. After a while I started noting them in my head, adding them to an invisible list which would come out when I saw her next. It worked well, giving us topics to talk about so we weren't sitting in silence. We'd talk deeply about serious topics like paedophilia, the death penalty and multiculturalism. We'd talk less deeply about bad music, horror movies and how we'd definitely, absolutely and without any doubt start our diet tomorrow. We'd sing the theme songs to 80's sitcoms. We'd laugh about anything and everything. That's how our conversations would always end, in laughter.
I frowned. Remembering lost happiness is worse than remembering old sadness. Time heals wounds, but it only makes good memories seem more distant.
'So Chinese tonight?' she asked.
I raised my eyebrows slightly and let my lips give a kind of nod. I don't think she saw it but she knew the answer anyway. She'd already picked it. Well before today. Well before I knew about this day and how it would end.
'Ange...youhoo!' sang the old lady, still shuffling, moving. Her hair looked dry, a tangled mess. 'If you don't come out soon I'll have to spank you.'
For a moment I felt the need to protect, to disarm any fears that might be brewing in the person standing next to me. I hadn't felt that way in a long time. It was strange, unnatural. 'It's just some crazy woman,' I said. 'Don't worry.'
'She's not crazy,' she said evenly.
I browsed the street lazily, blinking slowly.
'There's no one else around,' I said. 'She is talking to no one. The old woman's crazy.'
'That “old woman” is calling out for her son. Don't you know the story?'
She probably didn't say it condescendingly but it seemed that way to my ears. I breathed in deeply, then out again. A moment later: 'What story?'
'Her name's Diana. About twenty-five, thirty years ago she was right here, walking down this street, window shopping. Or maybe it was after she had finished shopping and was going home? I can't remember. Her son was a toddler and didn't want to be strapped into the walker. So she'd let him run around free now and then. This one time she wasn't fully concentrating and when she turned to call him over to leave he was just...gone.'
She paused at this point, perhaps waiting for me to respond, to say how terrible it all was, to ask what happened next. Maybe just to see some kind of emotion.
'Oh,' I said, flatly.
'So she started looking for him,' she continued. 'Most of the shops were already closed so there weren't many places he could be. Then others joined in, calling his name and trying their best to help her out. The whole street was covered with people. But they couldn't find him. The police searched all night. Dad says they did a big thing on TV and in the paper. But nothing ever came of it and they never found him. It's like he just vanished.'
I took another puff. 'So, what, she's still waiting?'
'Yes. Every week at the exact same time she comes here and waits for him. She calls his name. She hands out old photocopies with his picture on it.'
I took a long, deep drag on the cigarette.
'He wouldn't even look the same,' I said, blowing out.
'Maybe not. But she never gives up. Apparently when she first started doing it other people would come along too, help her look. It was like some national tragedy. I guess it made everyone think it could happen to them. If they turned their backs for just a few secs, their own kids could disappear. But then over time less and less people would show up and after a few years everyone just forgot. Or wanted to forget. They began walking on this side of the street to avoid her.'
I looked closer at the old woman. She didn't look distressed. Or manic. Just determined.
'It's sad,' I said.
'No it's not. It's uplifting. I mean, its horrible that she had to lose her son but the fact that she still holds out hope of him coming back to her, that she hasn't given up...imagine that kind of love?'
'Delusional?' I said.
She made her annoyed noise.
'It's easy to give up,' she said. Her voice had changed. It broke with anger. 'It's easy to destroy things, to break them. It's much harder to maintain what you have and improve on it.'
I could tell the topic had changed. But she was wrong. The easy way was to keep going. I knew right then that if I said a few words and put on a fake smile, everything would continue as it had. There was nothing easier in the world. She would convince herself she was mostly happy. I would be...relatively happy. We would avoid all the crying, all the loneliness, all the pain. Instead, the pain would seep out slowly, over time, until we woke up one day and realised we were covered in it. And then what? Wonder about what could have been? Think back sadly over unrealised dreams, our brains filling with a never ending line of what-if's?
No. Change is the hard part. Apathy plays its part. As does fear. Whatever the cause, most of us seem hard-wired to seek routine and to feel its warm embrace. I envy those people who get bored easily and have to move on to another job every year and who change their look every week and who go travelling and skydiving and do other insane things on the weekend. But that's not me. Which is why this is so hard.
'Wanna go in and eat?' Her voice was quiet now. Not calm, more nervous.
I dropped what was left of my cigarette, grinding it with my heel, putting out any last embers.
'Yeah.'
And I followed her into the restaurant one last time.



© 2011 Ben Safta

Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Australia License

Scent

I was at the shops when a girl floated past. A few seconds later her scent followed, filling my nostrils. It made me think of you. It was your scent. I used to smell it every day when we were together. And when I was alone. Especially when I was alone. It was not only in my clothes but in my heart.
We used to play stupid games with each other. We'd watch strange looking people go by and come up with a character name for them. Do you remember the Purple Leprechaun? Or the Goth Cowboy? Afterwards, I'd use your full name disapprovingly to chastise you. And you hated it. But you'd laugh. I loved to hear you laugh.
Even when we weren't together, I used to think about you constantly. Wonder whether you were smiling, laughing. Hoping you weren't sad or feeling alone. I made sure you knew I loved you. It was all I could really offer. I didn't have money or a fancy career. Or any future for that matter. But I had love and I had you.
Then you left. You left and it hurt. My stomach retched, my head ached. I was sick. Sick for weeks, for months, for years. At least I think I was. I have a vague memory of a misty thought. Like a dream of a dream: colourless, without shape.
Even in my pain I would picture you naked. It was easy. I knew every part of your body: where your skin was soft and where it wasn't; the location of every cute dimple and tiny lump. Now I can't even remember your body shape. Did you have an hour-glass figure, like the girl that went past? Or were you straight and thin? This isn't right. Why don't I remember?
I would go to bed each night humming the M*A*S*H theme song, hoping beyond hope. If I couldn't be with you then there was no point. The easy way really did sound easy. Even in those moments I'd still know you better than you'd know yourself. Even if I couldn't see you, I'd still know what you'd be doing, what clothes you'd be wearing. You loved to wear...jeans? Or was it a dress? Black? Red? I used to know all this, know everything about you, think of nothing else, but now... Now I don't know. Why don't I know?
Whenever I closed my eyes you were there in front of me, blinking in that cute way. Did you even have a way of blinking?
Did you have funny shaped lips or am I thinking of someone else? Why can't I remember?
We tried to be friends. You'd talk to me about what books you'd read. Did you read? Or just watch DVD's? Did you like documentaries? Maybe we weren't friends. Maybe that never happened.
Come to think of it, I'm not even sure it was your scent. I thought smells were connected to memories. That every scent you inhaled brought back poignant thoughts and feelings; those of long ago. Did I just hope it was your scent? Is my mind playing tricks?
It's funny. You were such a huge part of my life. How can I forget someone who filled my soul? How can I forget someone who crushed me and brought me to the brink of an early death?
You know what's even funnier? I can't even remember your name.




© 2010 Ben Safta




Preservation

I wiped my face. Instead of a cool breeze the air just brought a smell; that salty mixture of sweat and fish unmistakeably human. Why were so many of them about in this kind of weather?
A seagull squawked as it pecked at some scattered chips on the road. A car drove by. The seagull dropped the chip and flew off.
I slunk back against the large support of the overpass, giving myself some shade. The cracked metal was warm against my back. The whole thing was built only a dozen or so years ago, heralded as a new dawn of prosperity by the handshakers. For my brother and me it was an extension of our back yard. We'd even snuck in and carved our initials in the concrete while it was getting built. But they'd destroyed the park to make it. Didn't matter, we still used it as the most expensive goal posts in Port Adelaide. It felt old now; like it had taken a look at the surrounding buildings and decided to age quickly just to fit in. Maybe it was the salty air?
Through the throngs of people I watched the crusty deli across the road. She strolled out, pushing through the plastic flaps draped from above the door. I shuffled my suit jacket, pressing against the inside pocket instinctively before reaching up and lowering the sunglasses from my head down over my eyes.
She was wearing red - quite a change from the classic black of before. I'm sure someone's had a hand in that. I lost her for a moment, thinking she had already wondered off. I twisted my head around some passers by and eventually made her out, still in front of the deli. She looked down, as if forgetting something, before rushing back inside. I touched my ear without thinking.
A dog yelped. Behind the rat scuttled an Asian, her feet barely lifting above the footpath. If sliding feet was an infraction - even at ten percent commission - I'd be rich with all the nips 'round here. Not that we're racist. We used to have a national immigration policy where white was all the rage. Then we got the wogs in the 70's, the nips in the 90's, and finally the blacks. Now we're full of colour.
A couple strode by, his arm over her shoulder. I watched closely as their sticky lips met. I could just image how foul-smelling and horribly tasting her lipstick was. They finished up with a tiny bit of tongue but nothing you could write them up for.
Just when I thought it was going to be a long day a car pulled up, removing all doubt. A short, pudgy Itie stepped out, brandishing a bunch of electronics all over his body, his chest hairs displayed proudly through a very damp Port Power guernsey.
The man looked around, wiping his forehead. His vague expressions made him appear even more vulgar. For a split second I thought he hadn't seen me. Without looking my way he turned and headed in my direction.
To avoid looking at him I focussed my attention on the car: it had more lights that flashed and more bits that beeped than any episode of Star Trek. The original, that is. Why do they always have to ruin things by rehashing old...
'Dominic,' said the voice to my left. I turned to look at Carlo. He looked out at the street in front of us, his large sunglasses covering most of his wet face. 'Thought you was working nights now,' he continued.
I walked closer to the road and looked down past the throngs of people. 'Too many moonlighters,' I responded. 'Get in the way.' I walked back to the pillar and stood the other side of Carlo, so that my ripped ear was away from him. I could hear out of it fine but I didn't need anyone asking questions.
'Ah, not like us professionals, right?' He didn't mean it as a question but I was close to giving him an answer. He loved that word, professional, and had a very amateur way of saying it.
Without looking toward me he touched some of his electronics. They were fairly stock-standard: a recorder, an EM cage, a high-viz interp., some long range IDers and an open link. You could get them from most anywhere in the port, at probably one tenth the size.
When I first met Carlo, I noticed how he wore his profession on his sleeve; happy to show off in front of kids, adults, whoever. I thought he took pride in the job. Thought he was a real professional. Said we're like cops who're paid on commission. Bit later I realised he was in it for the money. At least a cop has moral responsibility, civil duties. Carlo's first bit of business was his mum, who made the mistake of cooking without a fan. How can you give respect to someone who doesn't show any?
Of course the money's just a way of getting power. He'd told me many times how he loved to watch peoples eyes flicker a little when he told them he collected on infractions, their minds quickly going over what they'd done since meeting him. That's the real problem – when they make anything a crime, everyone's a criminal.
'So what are you up to, mate?' asked Carlos.
After a moment's hesitation I began, 'Just working...'
'Yeah, that's what us wogs do, aye, always workin' hard' he said.
Us wogs? Us wogs?! I was born here. I'm Australian. I don't need to prove my integration by pretending to like Australian Rules football.
Carlo whistled at a large mop of greasy blonde hair. The girl under it had a look which seemed to be popular these days, her clothes not hiding enough of her stick figure.
'Don't walk away so quick, baby,' said Carlo, his eyes focussed on the girl.
'Don't talk like that,' I said, half under my breath.
'I hate to see you go, but I love to watch you leave!' he shouted.
Oh brother. Luckily she didn't bend down – I'd have been subjected to the 'While you're down there' line.
'Not bad, aye mate,' said Carlo, nudging me conspiratorially.
'Shouldn't talk to a lady like that.'
Carlo turned to me for the first time. 'What are you talking about?' he said. 'Fuck mate, you never have fun. Live a little, you know?'
'I live fine,' I said, not as confidently as I had hoped.
'You need to get a girl. Loosen you up. What was your last one? Hayley? Fiona?'
'Jess.' I looked over at the Deli. She came out quickly, looking to the cross the road.
'Jess. Yeah, she was hot, mate. No offence. So get someone new. You're not, uh, too ugly. Oi! Get back in the car, Richard!'
That last bit was directed at his son. Wogs and their slave labour! Bet he did more work than his dad, too.
Where did she go? Don't tell me this dago has made me lose her? I pushed some civs along, looking around their fat heads. I'm sure they mumbled some type of protest.
Carlo resumed the conversation. 'Look at all the hot chicks down here. Take your pick.'
I found her standing on the island, gripping an object tightly, as a steady stream of traffic flowed by.
'Don't need the hassle.'
'Yeah, but you need the fucking. Hey? Right?'
'Watch your language,' I said. 'Swearing just disrespects yourself.'
She started to cross the road.
'Mate, you're a fucking dinosaur,' said Carlo. 'You're half my age but you're older than me. You gotta move with the times.'
She stepped up onto the footpath.
Carlo continued: 'You're out here looking for infractions and you don't even have equipment on you. You could earn ten times what you get if you just bought some interps.'
She walked in my direction, looking down at the bag of hot chips in her hand.
'Don't need equipment,' I said. 'Just need eyes and a brain. And this.' I pulled out the gun from my suit pocket.
'What the fuck? Put that fuckin' thing away, mate. Do you even have a licence?'
'You think you're moving with the world but nothing changes,' I said. 'Everything repeats. Sure, gets more refined each time through, maybe, but the same stuff happens and always with the same result.'
A bike flashed by, the sound of its bell hung in the air.
I heard the buzz of Carlo's EM cage starting up. The scum didn't even realise this wasn't some new-fangled pulse gun but a real, old-fashioned revolver; the kind that fired bullets. His cage wouldn't do a thing.
A dog yelped.
'No day is different to any other day,' I said. 'No matter what you do. You can't stop it. No way out.'
I stepped in her way. She raised her head.
'Oh, sorr...Dominic?' she said.
I was frozen.
'Richard, back in the car now!' said Carlo.
'Oh my God, it's great to see you,' she said as she leaned in to hug me. I let my hand dangle, hiding the gun by my leg.
'Seriously mate, put that thing away,' said Carlo.
'What have you been up to?' she said, smiling. Oh, that smile!
'Not much,' I replied.
'Oh, your ear,' she said. She motioned to touch it but I recoiled. The sound of that yelping dog hit my ear instead.
'It's nothing,' I said.
Carlo grabbed at the gun. I tried to shrug him off without alerting her.
'Look, I'm already running late,' she said, 'but it's been great seeing you again.'
'Yeah,' I said, spellbound. 'Hey, maybe we can catch up some time...'
'Sure,' she said, already fleeing the scene. She had changed her number ages ago. Even changed her address. I had no way of contacting her. Don't know if she realised it or not.
Carlo succeeded in snatching the gun from my hand. I turned quickly. I opened my mouth, about to blast him. No words formed. Nothing was said. There was no point.
The short burst of a siren. Two cops hit the footpath and rushed me.
'I got commission!' shouted Carlo.
After a taze I fell to my back, unable to move.
'I ID'd him and everything!' said Carlo.
The overpass shielded my eyes from the sun. The salt in the air filled my nostrils. The sounds faded.
I pictured myself lying here, but not like this. I pictured it the way it was meant to go. I imagined my blown-off ear acting as a precursor, rather than simply evidence of failure. But the worst part wasn't that I didn't succeed – I'd done that plenty of times in my life. The deflating and inescapable thought that came to me, at this point, lying on my back, below Carlo, below the world, was that there was no hope. I realised that anything I ever do will not work out. You can get through a lot in life, plough through so much crap, rub off so much filth, if you know that around the corner there's a fresh start, a clean opportunity. But once you realise there is no corner, there is no hope...
Nothing ever changes.




© 2010 Ben Safta