Showing posts with label drama. Show all posts
Showing posts with label drama. Show all posts

Rats, rats, scouring rats, cute little rats, happy rats

Then Dean turned his flash light on and we all turned our flash lights on and Cassandra turned her camera on and immediately our mouths gaped and we'd only just passed the entrance. Everyone ooh'd and ahh'd while Dean raced out ahead and took the lead since he was the one showing us the way. This left the rest of us to walk slowly and just point our torches at the cement walls and hear all the weird sounds. A loud ba-bum from a car above scared Wendy and she started saying how we shouldn't be in here and that it was illegal and that she heard about these kids who came down here and got killed by something or other. 'We aren't kids,' I said, because we weren't. 'I know,' said Wendy, but she didn't really believe it. It was like she was still in high school and she was already getting on my nerves.
Dean was standing by the cracked cement wall and looking at something, looking really close, which made us wonder and also wander over to see for ourselves. I pointed my torch at Dean and then at this little shelf set in from the wall with some batteries and all sorts of junk, surrounded by notes left by someone and everyone who'd been here before. Dean explained that we should leave extra batteries for torches so that no one gets lost down here, 'coz we're all part of a clan and should look out for each other. Sprawled on the wall nearby was this massive guest book with names and funny messages and jokes like “what do you get when you line up 100 blonds ear to ear? A wind tunnel” and “if tennis players get tennis elbow and squash players get squash knees, what do gynaecologists get? tunnel vision!”, the last of which Wendy didn't like. I was just surprised they spelt gynaecologist right. There were also more serious messages like “when it rains, no drains,” which turned Wendy even more whiny.
Cassandra was really keen to leave her own name there, to leave it for prosperity, and when I asked why she said she didn't know why but that she wanted to do it. When we realised we didn't have anything to write with and that we couldn't even get the rocks to make any writing marks on the wall she kept saying that it was fine and she was fine and that it didn't matter.
While this was going on Dean had taken off and was now ahead of us again. The rest of us walked slower, in awe at how the cement walls gave way to real cave rock, which really got our torches moving and legs walking and tongues talking.
Cassandra came from nowhere and surprised Chris, which really made him jump, and made us all laugh. Then she pointed the camera in his face and started asking him questions, like 'What is the meaning of life?' and 'What is truth?' Chris was perplexed at the best of times and this wasn't the best of times so he stumbled over some sentences which didn't really make sense. Then Dean shouted out from ahead that the meaning of life was sex. I laughed but the others didn't have a good sense of humour.
'I never even knew this place existed,' I said. Dean was still up ahead but heard me and said that there were tunnels all over Adelaide. 'Under Adelaide,' corrected Cassandra. Dean didn't listen and just kept talking about some really old tunnel from behind Government House that went to Frome Road and was only there so that soldiers could take their horses to graze without having to cross a busy road, back when we had soldiers.
Chris went missing and when we went to find him we found him near a wall looking at some amazing wall art, looking it up and down like it was holy. He appreciated that stuff more than me, being arty farty, but I still liked the idea of someone coming in here and spray painting some picture so that other drainers could check it out, like we were in some exclusive club. The graffiti spelt out a name, followed by the word tomb. I shouted out to Dean to ask if that was the name of this tunnel, 'coz I heard that they were named after the people who found them, but he didn't hear me.
We kept walking, kept jumping, kept singing, all the way through this dark and scary and amazing tunnel. 'Pass us the goon bag,' someone said. Pretty soon we were all walking and drinking, feeling like bums in our underground tomb.
We got to a spot where this big fan was moving slowly and blowing air all around us, even against Wendy's hair but not in the glamourous way you see in shampoo commercials but more like something out of Bladerunner. But not the first theatrical release because that had a totally different feel to it. Now they're just cashing in and doing five or six versions which really goes against the spirit of the film.
Cassandra jumped in front of me, trying to scare me like she scared Chris but I didn't fall for it. We kept walking while she backtracked, like some cameraman from a nature documentary or like I was some presenter on a kids TV show. Cassandra, Cassandra was short and sweet, not short and pudgy, but short and cute, enough that I'd given it some thought, as it were. But she was Chris' old girl and I couldn't do that to him, not poor old Chris, not nicest guy in the world Chris, not good friend Chris. Not for a girl, even one like Cassandra. Besides, she seemed hung up on Dean.
Wendy, Wendy, moaning Wendy, moaned about her shoes and how her feet were hurting. Cassandra said to just take them off which horrified Wendy who pointed her torch at the ground and showed us all how filthy the bottom of the tunnel was, with mud and water and who knows what. Then Chris said 'Kick 'em to the curb, girlfriend,' referring to the shoes. We all stopped walking and just stared at him. I said it was good he was trying humour but maybe he should practice at home in front of a mirror first. This got a great laugh out of Wendy, but Cassandra stayed neutral and looked at me seriously like I'd really hurt his feelings which made me feel bad. But moments later I was talking about how utterly terrible Lord of the Rings was as a book, about how I understood that it was quite influential in defining the modern fantasy genre but that it was flawed because it was just lots of walking, walking, bits of talking, followed by a long trek in the mountains. Chris turned and said that that was all we were doing, walking and talking, and he had me, he totally got me, which got a stern expression from me and a few laughs from Wendy and a louder one from Cassandra which made me laugh and we all laughed and I felt better.
Then Wendy chimed in about another book with lots of travelling which was this boring book called On The Road, where this guy just went from one side of America to the other and spoke in this rambling style which got tiring very quickly and which tried to seem profound but really wasn't. It shocked me that Wendy had actually read something not by Ann M Martin.
That got Cassandra started with her favourite topic: American Imperialism. She went on and on about how they were hypocritical and how they interfered with foreign states, even Australia. She said that in the 70's America didn't like Gough Whitlam so they orchestrated some political manoeuvring so that he got sacked, which I'd never really known. Every time she mentioned something bad that America spread, Dean would chime in with good things they'd done, just for the argument. She would mention wars, he would mention McDonald's. She would talk about how McDonald's was bad for the environment and he would say that America was a world leader in environmental sustainability. You could tell she didn't really believe him but she couldn't argue against it because she didn't know for sure.
Dean was rat-tat-tapping on the walls and the pipes. I said to the girls: 'What's the best start to a song?' The others started tat-tat-tapping, just like Dean, using our tunnel as an impromptu instrument, trying to recreate some hideous pop song. I said: 'No, no, no, I meant lyrics-wise.' The others umm'd and ahh'd until I just bore right in and said the best start to a song is from What's My Scene by the Hoodoo Guru's. The others tried to get it in their heads and it was Wendy who got there first, singing 'And another thing...'
This got Dean started and you really shouldn't get dean started, especially when it comes to music, especially when it comes to anything, 'coz once he gets started he just doesn't stop. He went on and on about other 80's groups and then about Australian music and how Triple J doesn't play enough Karnivool any more and how Birds Of Tokyo were awesome at the Gov and all this stuff that frankly me and Chris barely listened to. The girls were Chinese whispering to each other like they always did and I could see Chris glance a few times over to them, not longingly like some besotted love bird but definitely with something, with some kind of feelings and it made me think.
We kept moving on down the tunnel till we got to this thin mummy passage that scared the crap out of Wendy since it looked like a trap, like in old westerns where they'd be travelling in their wagons and get to a thin spot between cliffs and it'd always be an ambush, they even knew it was going to be an ambush, but still went in regardless. That's what I like about those films, how they'd do all this bad stuff and then get to the point in the story where they'd know they were doomed, they'd just know, and they'd accept their fate anyway. Dean accepted his fate first and went through the passage. Before he went in he said that he hadn't gone further than this before, that last time he was here, which was the only time, he got this far and the girl he was with couldn't wait any longer and they did it right here and just left afterwards.
So we kept trying to look at the thin passage while someone shone a torch in everyone's face which got on our nerves a little. Every time it hit Wendy I could see her trembling like she'd just watched the first Saw film, maybe the second one, but not anything later since you kind of know the formula by then which makes it less scary.
Dean called back and said to come straight away, that we'd never believe what he found. We all rushed through the thin passage, even Wendy, who kind of grabbed onto me for protection as we walked which I didn't mind. When we got to the other side it was this massive room with pipes jutting in from all angles and bright green moss shining in the lights, different coloured lights, setting it up like an Alien film but much more pleasant. It even had a waterfall that landed in a kind of urban lake, which made the air misty and all atmospheric. 'That's gorgeous,' said Wendy, still holding on to me. We all wow'd and ooh'd and ahh'd for ages. Cassandra filmed heaps of it, from all different angles. She said it's the most beautiful thing she'd ever seen. We all agreed. Then Chris said that he bet we were the only ones to ever see it which is obviously wrong since it was man-made but we were too busy ooh'ing and ahh'ing to care.
Dean jumped up one of the pipes and stood there like a pirate on the end of a pirate ship. He had taken a few more chugs from the goon bag and said some stuff about muses and about how they shouldn't desert him at this his finest hour. He was looking at us but the truth was he was my muse, not the other way around; he was the thing that bound us together and kept things moving; they always had to be moving.
'I reckon we're the only ones to ever see this,' said Chris again. This time we all paid him out until he had that puppy dog look on his face and we all felt sorry for him and surrounded him in a big group hug. After, we sat down and passed around the goon bag. I took a massive swig and it ran down the sides of my mouth but no one saw so I drank again. Not long later my head was spinning and the colours looked even better. It was like we'd found paradise. 'These truly are the glory days,' I said and laid back on the cement floor. Wendy had curled her fingers between mine and we both lay back together.
My fingers tingled as Wendy moved off and had a private chat with Cassandra in the corner of paradise. That left the boys alone and so we did what we always did and talked about girls.
Dean said that he can't go up to a girl who he thinks is perfect because he'll just look at her and look at her and try to find some imperfection, and he won't stop until he does, and after he does he won't like her any more because she's not perfect like he thought she was and that it's all about expectations, which I suppose is true. So he said he goes for 7's or 8's, maybe 9's if he really needs it. If I hadn't seen him around girls I'd think he just lies a lot but I've seen him around girls and he wasn't lying. My contribution was about porn, since I wasn't as fast as Dean. I said I can only watch porn with ugly chicks in it, or at least average looking, because it's all a fantasy, it's all in your mind, and if you can't imagine a situation where a really hot looking chick would want to do you then it just won't work. Chris seemed a bit embarrassed and so we pestered him about his sexual encounters. He wouldn't budge. Dean asked about Cassandra and what she was like when they were together but he still didn't budge which I was happy about. Dean then said that he never watches porn. I was incredulous at this but he assured me and Chris that he just doesn't need to, that he's got a friend and they have sex whenever. I started to think if I could do that, have sex with a female friend, and I decided I probably could.
Chris finally chimed in and said that when he was younger he had this idea for a little device which would let you tell someone you liked them, but kind of secretly. Me and dean looked at each other. But the idea wasn't that crazy as he went on and talked about how you'd put this little device in your pocket and when you passed by a hot chick you could just press a button and if she had one of the devices and thought you were attractive she could press her button and then, only then, would it alert both of you that you liked each other. It was like this safe way for people with low self-esteem to get to know one another. I thought it didn't seem to meet the demands of the target demographic since you could press your button when some hot chick wanders past but then when you don't receive the signal that she likes you, you'd get all sad and mopey. Chris said that wasn't true because the girl might not even have one of the devices, which was true. Dean said that Chris was dopey, not mopey, and that the whole idea was bunk. He couldn't understand why you'd even need it. I at least understood it, but I wouldn't have invested capital in the idea. Then Cassandra said that he should write an app for it, that the device could just be a mobile phone. That shocked us all because we didn't know the girls were listening in on our conversation and recording it on the camera. 'This is man business,' I said. 'Stop listening in on our conversation.' But they just laughed at us like girls do when they're doing the wrong thing but don't care.
Dean jumped up and started walking through all the pipes. He was keen to move on and seemed almost angry that we were wasting time just lying around talking. We all followed and got out our flashlights and kept walking through the tunnel that didn't end. Until we got to the end. There was no great finality to it, or even a nice final wall, since the sides of cement just kind of converged on this one point, almost like it was hiding the fact it was an ending at all, and more like something that continues on like the inside of a circle. 'Well that sucks.' Everyone was all bummed. Dean was saying how it was a kind of microcosm of life, that as soon as you get to where you're going you realise it wasn't worth getting there. Cassandra was saying that yes, it was a microcosm, but of how the journey is what it's all about and reminding us of the paradise room. Dean didn't like the conversation and got real angry, jumping up and down and punching the wall. We all weren't happy with the ending but we didn't think it was all that bad, yet Dean was going crazy and wouldn't calm down. It was like he had wanted something out of this, something more that he couldn't share with anyone but him. The girls all surrounded him and spoke quietly to him, then Chris joined in and it seemed to be working. Chris was always really calm, at least with people, and while I couldn't hear what he said I knew it was working because Dean's shoulders were relaxing and his face wasn't red any more and he didn't seem like he'd bash the whole place down. I stayed back and kind of waited, not sure what to do.
I looked up and saw a grate on the ceiling with sunshine streaming through. There were these old fashioned metal ladder rungs leading up to it which looked amazing and made me think of sewers and nineteenth century Paris for some reason.
Then dean just fell back and his face seemed pale. He wasn't having a fit but you could see he was in pain. We didn't know what to do. 'What do we do?' shouted Wendy. I was even more helpless. Chris was quietly talking to Dean. My stomach was in knots and I got all confused and I swear someone else was shouting but everything was hazy. All these noises came into my ears and I had this feeling that something bad was going to happen, that the end of the tunnel was going to be the end of something else. I started thinking about God and Buddha and what happens when you die and I realised that I didn't really know and I promised myself that I'd read more books on comparative religion and spirituality and all that pseudo-hippy stuff that everyone seems to love.
Then dean looked up. He was fine. He jumped up as if nothing happened. This was good, we all thought it was good, but we didn't feel that good. Chris and Cassandra and Wendy were all perplexed and had other things going on in their heads, while I felt guilty for thinking about myself when Dean, cool Dean, lady's man Dean, was almost about to die. 'You were faking it,' screamed Cassandra, 'You were faking it.' Dean just swaggered off. Cassandra ran to him and hit him but he didn't do anything back and then he laughed, but not a full laugh, more like a nervous laugh. But it didn't matter because soon we were all laughing and having a good time.
To get to the ladder rungs we had to jump a small stream of water. It was nothing, but Cassandra made a big deal of it, that it was kind of like we were crossing over into being proper grown-ups, even though we already were. She said it was like our bridge to Terabithia. I hated that book but decided not to say anything since the others were all happy with the idea.
We clambered up the ladder, Dean first, followed by Cassandra, then Chris, then Wendy and finally me. I looked back at the tunnel and thought for a second that there was something important I should learn from this. I wasn't sure what it was. Then I realised I'd spent too much time around Cassandra and it was just a stupid tunnel. So I kept climbing and looked up the ladder and saw Wendy's bum which looked nice from this angle.  



© 2011 Ben Safta

Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Australia License

Stripped Bare

Beep.
'Hello Samantha, it's me again. I forgot the reason I rang before. These things always make me nervous. Umm, I don't know what you're doing at the moment...'
What the hell you think I'm doing? Having sex in some big orgy?
'...Dad wants to invite you to dinner tonight.'
Ha! Don't think so.
'We'll have schnitzel. Beef, of course. Not chicken. I know you don't like chicken.'
Coz I've told you, like, a billion times?
'We can have a family meal. Like we used to. All three of us.'
Borrring.
'Umm, so drop a message. I mean, send a message or drop a line. I mixed them up. I'm so silly.'
You can say that again.
'…'
I rub sleep from my eyes and pull the phone away from my ear - still connected. I wait.
She finally talks again.
'We haven't seen you since your 21st and, well, Dad misses you. He talks about you all the time. He's been such a pain the last month, trying to finish off the verandah. I told him to get some help but he won't budge. It's no good for his back. The silly old fool thinks he can do everything he used to. He's even worse at work – racing with the young guys.'
Wait, young guys?
'He needs to move up to the office and get away from the shop floor.'
Yeah, but back to these young guys...
'Honestly, I don't know what to do with him. The only reas-'
Beep.
'One unread message,' blares the phone. 'Eleven thirty-two A.M.'
I squint out the bright window. It's way too early to be up. I fall back onto the bed.
'Samii!' says the rough voice of Dave on the mobile. 'Got a gig for you tonight. An eighteenth. Asked for you 'specially. Give's a call back and I'll let ya know the details. Catch ya, babe.'
Ooh! I'm awake now! The thought of a gig always gets me going. It's like, anything's possible, anything can happen. Makes me a little nervous and a lot excited. The three hundred dollars is handy, too.
'Mmfmm,' muffles a voice under the pillow.
I search for my clothes. The treasure hunt takes me all over the room. I pull at my fishnets, wedged behind the desk, and nearly go flying tits over arse when they come free. Above the desk is a large poster of some real old guy with a dodgy moustache and freaky hair. He looks like a pedo. The writing above him says: “Great spirits have often encountered violent opposition from weak minds.”
I think about it for a bit - it can take me a while to get these things. I laugh. So true. Funny fucker.
'Oh,' says the guy in bed. 'You're uh, still here.'
'Yep,' I say.
'Shit!' he says.
What the fuck does that mean?
He jumps out of bed. 'I'm late.'
Oh.
'Where are you going?' I ask, while slipping on my Zanotti sandals.
'Umm,' he says.
'Don't worry. I don't wanna come with you or anything. Just making conversation.'
'Oh. Yeah. I'm late for class. I don't wanna miss any of it, the lecturer's fuckin hot.' He looks at me and shrugs. 'I like older women.'
I smile and look at him for the first time. His nose is massive. His hair all stringy. Pretty fugly with the light on.
'What umm, what are you learning?' I ask.
'Do you mean what subject is the lecture on? Or what degree am I doing? They're different things, you know.'
'No, I know,' I lie. 'Umm, what degree?'
'I told you last night.'
'It's not a good night if you remember it.' My turn to shrug.
He sniffs. He waits.
I know he wants me to leave but he's being an arsehole. So I take my time brushing my hair.
'Can I keep that poster?' I say, pointing above the desk.
He snorts. 'No. Don't think so.'
Hmmm. Gotta remember to ask before, not after.
'Anyway, I gotta go,' he says.
I don't move. I look over at him patiently. 'OK.'
You wanna play games? I can play games.
'Fine, stay then,' he says, storming out of the room. 'Just don't steal anything!'
When the door to the unit closes I stand quickly and stumble out the room. Yep, way too early to be up.
I've almost left the joint when I stop, turn back, and snatch the poster from the wall. That's what you get for being a prick.

I plonk my phone down near the sink. Mum hasn't called again so she probably got the hint.
I wish I had these massive mirrors at home. They look amazing. I'll see if someone knows how much they cost. Oh well, last-minute check time.
My blonde hair looks nice and wavy down my shoulders, but the fringe is still giving me problems. I press it down but now it looks pressed down. Argh, now my roots are showing through - I really need a colouring.
That don't matter, other things they can look at.
I press my boobs together so that more cleavage shows above the silver and frilly tubular top. I turn a little to the side.
You don't need massive boobs to do this job – it's more about having confidence in your body. I do feel a little sorry for the girls with nothing at all, but if they're that concerned they can always get a little boobs 'r' us work done.
I fiddle with the top. Yeah, don't think I'll be needing surgery.
The ruffled skirt looks amazing. It's like I've got nothing on underneath.
I shove my phone down the silver fuck-me boots, which look fine and all...but I just feel naked without my Zanotti's.
'Hey, you ready babe?' shouts Dave, just outside the door of the toilets. He's a good guy. I've had rep's who just wanna fuck after the gig. I'm not a prostitute! The funny thing is, they're always the ones with small dicks.
'Hang on,' I say, and finish putting the circle-y bit on top of my head. I thought this would be the best costume, with where we are and all. It totally matches. Dave said to go with the cop outfit but that's got nothing to do with this place. I guess that's why I'm the stripper and he's just, like, a helper.
We walk down the corridor together. Everyone looks. All girls are just haters, anyway. And they're jealous. They got nothing on me.
I notice some of the younger guys looking weirdly at me. Fuck off you pricks, you'll probably hire me to do your bucks night.
But it's all fine. I'm here coz I wanna be here. Don't matter what they think.
'Samii,' says Dave, 'this is Debbie.'
She looks at me even worse than the nurses, or whatever the fuck they were. What's her problem? She isn't hot enough to look at me like that. Just all old and wrinkly and in need of a colouring even more than me! Hell, she needs to put her head in some massive water thing to wash off whatever's growing in her oily, gross hair. Heh, good one.
'Oh, I'm glad you could make it,' says the bitch.
I'm not like when I was younger. You can't think one thing and say something completely different, put on an act. It won't work for me. I've had enough friends in my life to know it. That's what separates the good friends from the bad ones: they only talk about you behind your back, not to your face.
I nod, smiling. 'It's fine.'
'Brad's really looking forward to this,' she says. 'It's what he wants.' She looks down for a moment. The bitch can't even look me in the eye. 'And if it's what he wants, it's what we want. You know?'
I touch the little wings on my back to make sure they're still there.
'We just,' she says, 'we don't know how long...'
The old woman screws up her face which reminds me a bit of mum. Then she covers her face with her hands and rushes into the room.
'Uh, maybe we should just get started, ay babe?' says Dave.
Thank christ. Thought I was gonna be in the corridor all night.
I brush more glitter across my bare tummy and psych myself up. I feel that throbin' beat from the room. It's the start of Closer. It just 'verbs all though my chest, getting louder and stronger.
'...You let me desecrate you...'
I burst through the door and start my routine without even looking. A few poses, a few slinky body moves. Just the standard stuff while I get warmed up.
I hear a few woo's from the boys along the wall. They're all seventeen or eighteen, sitting in a row on this long bench, almost like they were still at school. Not much quality there. Way too young for me, anyway.
'...Help me; I've got no soul to sell...'
I dance over to the big bed in the middle of the room and bend forward, showing my cleavage. I've positioned myself so that my arse is also pointing at the boys. One of them gasps. Without turning I know that he's got a little too excited and Dave's had to calm him down, in his own way.
Another few steps and I'm up near the top of the bed. The boy has all these wires and stuff coming from everywhere. He looks a bit unsure. But cute. Nice bad-boy shaved head. Maybe I should see what he's doing when he gets out of here. What was his name? Brad? Wait for this one, Brad!
I raise up and flick my hair - 'I wanna fuck you like an animal' – letting it come free.
I'm not normally a fan of NIN but this one gets me going!
I squat a bit, dangling my hair over the boy's face while giving more of a back show for the friends.
When I rise up Brad's got a massive grin on his face. Heh, he wants to fuck me like an animal, the cutie. I smile back.
With a flick I leave him that circle thing that was on my head. It was annoying me anyway.
The song fades and mixes with a new one. I like to begin with a fully dressed set at the start, then move onto- Wait! What's this? I thought it was Pussycat Dolls next. Oh yeah, I don't have buttons, so probably good he skipped it.
'...Nothing feels right when I'm not with you...'
I also don't have a T-shirt on, but I love this song so who cares?
A few bumps on the floor and some leg stretching later, I'm getting ready to give the birthday boy an even better show.
'...gotta be strong, I'm really hurtin' now that you're gone...'
Must suck being in hospital, especially for your eighteenth. I couldn't stand not being able to go out and have fun. Luckily, it's Samii to the rescue!
I strut around the bed and turn so I'm facing the big white curtain thing, almost tripping over a gold Guess handbag on the floor. Must be that old woman's. She's got good taste.
My hands release the clamp on my top – it falls quickly to the floor. I do some hot bendy moves to get them thinking about what's to come. With my boobs cupped I turn and step up onto the little metal case in front of the bed. I picture the boys in their school uniforms. Man, remember when I was that young?
In a flash I remove my hands and show 'em my body. They go fuckin' wild. I love audiences like this! Dave is hovering over them but they're harmless anyway so I'm not worried.
I let my fingers wander all over my body. Ooh, that reminds me, I haven't done a wet show for ages. I should come up with something later.
'...In bed I lay, with nothing but your T-shirt on...'
A jump and I'm next to the bed, leaning down over the boy. “Happy Birthday, Brad,” I whisper, letting my lips touch his ear. Don't get me wrong, I don't normally do any touching – I'm not that kind of stripper – but this poor boy's in hospital and I know he wouldn't hurt a fly.
I stay bent over him for a bit longer, knowing my boobs are rubbing against him. When I do stand up I notice that he's joined me, in his own way.
With my boobs held, I push them together and play with the nipples. Guys always like that. I turn a few times to make sure both Brad and his friends get a good show. When I turn back once more I accidentally knock the curtain and it swings open a bit. There's another guy there. For a split second I lose my train of thought and almost stop dancing completely. Since I'm, like, so experienced, I manage to continue on with my routine without anyone else noticing.
But who the hell is this other guy? Why isn't he out with the others? Not some Catholic nutter, I hope. He's wearing a blue and red, vertically striped cardigan, blue pants, and scruffy off-white shoes. His little moustache makes him look older than he probably is. His head is still in the same place it was, facing the curtain, even though the curtain's not there any more.
I do a few more turns and end up facing the new guy. I hold my boob up and stretch my tongue down, licking my nipple, but he still won't look. Watch me, you fucker.
'...Tell me how I'm supposed to breathe with no air...'
Shit, the next song's on already. I race to the centre of the room and bend down slowly, following my standard routine. You can do other stuff too, but it's good to have a base you can work from. Since I'm falling behind, I better go back to that now.
Out the corner of my eye I notice the moustache man. He glances quickly at me and then looks away, as if I caught him doing something wrong. Got ya, buddy.
I stretch down even further with my head between my legs. Down this low I can see below the bed. A slight stretch further and I see legs. Lots of legs.
My hands slide up my own legs as I stand up straight. They must be behind the curtain. Err, what the fuck?
'...Tell me how you gonna be without me...'
I look over at Brad who's still enjoying the show. When he grins you can see his bones. I didn't realise before how freaky it is. It's like his skin is see-through. And I can tell how small his body is from when I pressed down over the blanket. Jeez.
I half dance to the curtain and pull it back. They are all old, definitely older than the moustache guy, apart from one girl around my age. She's wearing this purple fleece top, but she has these amazing gold earrings that'd look great on me! She must be the one with the good taste in handbags. The rest have got clothes from the Salvo's or something. None of them move or say anything even though I've caught them out. They just keep looking straight ahead. The old woman is there. She's the only one who looks up at me now. She doesn't get angry or anything, just looks at me with, like, red eyes. Doesn't even look like a bitch any more. Just real sad.
The boys on the bench clap and cheer for me to continue. That's when I realise my body has stopped moving. Their noise fades off and it's like I'm here alone with this old woman who looks more and more like mum. At least, mum when she's sad. I kinda put two and two together and realise that they're not being complete dicks by sitting behind the curtain. It's not even that they wouldn't want to see me strip – moustache guy definitely would. It's just that they're doing it for him, for Brad, before he...well...fuck. This is just fucking weird. How the fuck am I supposed to strip when all these fuckers are just waiting for him to die?
'I...umm...' realise my shoulders are drooping and I can barely move. What do I do now? I turn my head and look over at Dave who is sitting there without speaking. It's the only time I've seen him with nothing to say. The only sound is from the boys on the bench, who are now whistling at me to continue, and from the CD player.
'...Losing you is like living in a world with no air...'
I turn back to Brad and quickly turn away. I can't even look at him now. This is all too fucking much. The old woman still watches me and I can't tell what she's thinking. I'm normally good at that stuff, working out what people are thinking based on how they look, but I just can't do it with her. It's almost like she has no feeling left. It's all gone.
'I...' rush from the room.
The corridor gets blurry as I run towards...where? I don't care, away, away from here, my head is spinning and the colours are changing from blue to purple to orange to red and I open one door and then another and some woman might be screaming at me or it could be some kid who doesn't want to be here or maybe an old man I don't know but it hurts the pain in my ears and the stinging in my eyes as I keep running inside another door and trip and fall onto the hard floor where it's cold really cold but it's like everything else is worse so I don't really care about it and I cover my face but all it does is make my hands wet and I wriggle myself on the floor and cry really cry probably looking like some horrible creature probably looking like that woman from earlier but I don't know why don't know why I'm crying but I'm in the toilet I must be in the toilet again 'coz through the haze I make out those massive mirrors and all I can think about is how I need to find out how much they cost how much for each one and would it be cheaper if you got more than one and how much bigger can you get them and if you got one double the size how much more would that cost?

A little later I'm sitting upright. I don't know how long I've been crying for but I don't have any energy left for more. I feel a bit like the old woman, Brad's mum. Just feel, like, numb and stuff.
I look down at my knee. There's blood everywhere! It's fucking gross. And I realise my phone's on the floor. Must have fallen out when I tripped over. After I pick it up my fingers start dialling one of my contacts.
'Hello?' says the voice on the other end.
'Umm,' I say, 'is it too late for me to come over tonight mum?'



© 2011 Ben Safta

Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Australia License

A Dream Too Far

I took a long drag on my freshly lit cigarette and blew out slowly. The smoke twisted and bobbed in the slight cool breeze of twilight.
There were still people on the street but this was a time of change. The last of the city workers were drudging their way home, happy for the few hours of home life they'd enjoy before doing it all over again. Meanwhile, the social peeps were just beginning to teem in and invade the city in their own way.
With ciggy in mouth I rubbed my hands together, trying to keep warm. I should've worn a coat, something warmer, but I forgot how cold Autumn nights get.
The glass pane on my back was freezing. I could feel the bumps from the relief text: Cook ducks $16.95 each. I peeled myself off the window and took another drag, stepping a few times on the spot to keep warm. I looked down at the pavement. Between the crack of cement was a patch of green, a small stem reaching up into the sky. On top of the stem a dull red flower, its petals almost completely unfurled, a little beaten up. Even in this concrete prison it was somehow surviving. Trodden on daily by boots and high-heels, pressed down, pushed, scraped, but enduring well enough to stretch itself out for the last dregs of sunshine. Then bunking down and doing it all over again tomorrow. That's the way these things worked. You didn't enjoy; you weren't happy – you survived.
'I'm here, Ange. I haven't gone. You can come out now.'
The voice was distant, diffuse. As if the words were meant for someone from a different world, a secret place, away from the pain and mundane misery of life.
I looked across the road for its source. I could just make out the silhouette of a laughing couple, swaying down the footpath arm in arm, their bodies pressed together as if they were one. For a moment it reminded me of a cheesy creature from an old B-grade film; some cheap version of Frankenstein's monster, joined at the hip, its two heads bobbing up from the marshy lagoon.
That wasn't where the voice came from.
I blinked. A little way back, behind the rampaging monster, shuffled a short, squat, blob. An old woman, hunched over. She moved a little to one side. Then back to the other side. Slowly. Craning her neck each time. Looking out into the grey light. Something in her hand, pieces of paper. She seemed tired, worn.
'Come on, it's time to go,' I think the old woman said. Nobody else was around. She was talking to no one. Crazy, most likely. How sad.
The street was in its nightly lull. It looked a little sad itself. It was built for people. It needs people, just like us. Sure, they'd come. Later. In their droves. Young girls painting the footpath with vomit. Young boys leaving their own rubber imprint on the road. But for now, it was nearly empty. Just the crazy old woman and me.
'Hey,' said a voice in my ear, loud in the crisp air.
She stood beside me. But not too close. Not close enough to feel her warmth.
'Hi,' I replied, looking down.
'Been waiting long?' she asked.
Another drag. I held the smoke in my chest.
The petals on the flower were beginning to close in. It had had enough. It was time to retreat and be alone for a while, protected from the world. I looked closer at its centre, at the stigma, and wondered in awe at the tiny, delicate appendages. It was only at times like this that I would take any notice of nature. When things are going well, you do. When things are going bad, you think.
I began to blow the smoke out subconsciously. I stopped abruptly, wanting to – no, needing to avoid spraying the flower with toxins. I coughed, spluttering to my side.
I rubbed my watery eyes with an arm and spat on the concrete. She didn't say anything. A time long ago she would have been angry, shocked with such bad manners. A long time before that she would have been too embarrassed to scold me directly, resorting to a little joke. But now she didn't really care.
'Not too long,' I responded, sniffing.
She didn't reply. I'm not sure if she nodded or not. I don't think I would have noticed even if I were watching.
We stood in silence. In our own little worlds. I tried to think back to what it was like when I couldn't stop talking to her. Back then, as soon as we parted, I would see something strange, think of someone silly, hear something funny, and have the urge to tell her right away. After a while I started noting them in my head, adding them to an invisible list which would come out when I saw her next. It worked well, giving us topics to talk about so we weren't sitting in silence. We'd talk deeply about serious topics like paedophilia, the death penalty and multiculturalism. We'd talk less deeply about bad music, horror movies and how we'd definitely, absolutely and without any doubt start our diet tomorrow. We'd sing the theme songs to 80's sitcoms. We'd laugh about anything and everything. That's how our conversations would always end, in laughter.
I frowned. Remembering lost happiness is worse than remembering old sadness. Time heals wounds, but it only makes good memories seem more distant.
'So Chinese tonight?' she asked.
I raised my eyebrows slightly and let my lips give a kind of nod. I don't think she saw it but she knew the answer anyway. She'd already picked it. Well before today. Well before I knew about this day and how it would end.
'Ange...youhoo!' sang the old lady, still shuffling, moving. Her hair looked dry, a tangled mess. 'If you don't come out soon I'll have to spank you.'
For a moment I felt the need to protect, to disarm any fears that might be brewing in the person standing next to me. I hadn't felt that way in a long time. It was strange, unnatural. 'It's just some crazy woman,' I said. 'Don't worry.'
'She's not crazy,' she said evenly.
I browsed the street lazily, blinking slowly.
'There's no one else around,' I said. 'She is talking to no one. The old woman's crazy.'
'That “old woman” is calling out for her son. Don't you know the story?'
She probably didn't say it condescendingly but it seemed that way to my ears. I breathed in deeply, then out again. A moment later: 'What story?'
'Her name's Diana. About twenty-five, thirty years ago she was right here, walking down this street, window shopping. Or maybe it was after she had finished shopping and was going home? I can't remember. Her son was a toddler and didn't want to be strapped into the walker. So she'd let him run around free now and then. This one time she wasn't fully concentrating and when she turned to call him over to leave he was just...gone.'
She paused at this point, perhaps waiting for me to respond, to say how terrible it all was, to ask what happened next. Maybe just to see some kind of emotion.
'Oh,' I said, flatly.
'So she started looking for him,' she continued. 'Most of the shops were already closed so there weren't many places he could be. Then others joined in, calling his name and trying their best to help her out. The whole street was covered with people. But they couldn't find him. The police searched all night. Dad says they did a big thing on TV and in the paper. But nothing ever came of it and they never found him. It's like he just vanished.'
I took another puff. 'So, what, she's still waiting?'
'Yes. Every week at the exact same time she comes here and waits for him. She calls his name. She hands out old photocopies with his picture on it.'
I took a long, deep drag on the cigarette.
'He wouldn't even look the same,' I said, blowing out.
'Maybe not. But she never gives up. Apparently when she first started doing it other people would come along too, help her look. It was like some national tragedy. I guess it made everyone think it could happen to them. If they turned their backs for just a few secs, their own kids could disappear. But then over time less and less people would show up and after a few years everyone just forgot. Or wanted to forget. They began walking on this side of the street to avoid her.'
I looked closer at the old woman. She didn't look distressed. Or manic. Just determined.
'It's sad,' I said.
'No it's not. It's uplifting. I mean, its horrible that she had to lose her son but the fact that she still holds out hope of him coming back to her, that she hasn't given up...imagine that kind of love?'
'Delusional?' I said.
She made her annoyed noise.
'It's easy to give up,' she said. Her voice had changed. It broke with anger. 'It's easy to destroy things, to break them. It's much harder to maintain what you have and improve on it.'
I could tell the topic had changed. But she was wrong. The easy way was to keep going. I knew right then that if I said a few words and put on a fake smile, everything would continue as it had. There was nothing easier in the world. She would convince herself she was mostly happy. I would be...relatively happy. We would avoid all the crying, all the loneliness, all the pain. Instead, the pain would seep out slowly, over time, until we woke up one day and realised we were covered in it. And then what? Wonder about what could have been? Think back sadly over unrealised dreams, our brains filling with a never ending line of what-if's?
No. Change is the hard part. Apathy plays its part. As does fear. Whatever the cause, most of us seem hard-wired to seek routine and to feel its warm embrace. I envy those people who get bored easily and have to move on to another job every year and who change their look every week and who go travelling and skydiving and do other insane things on the weekend. But that's not me. Which is why this is so hard.
'Wanna go in and eat?' Her voice was quiet now. Not calm, more nervous.
I dropped what was left of my cigarette, grinding it with my heel, putting out any last embers.
'Yeah.'
And I followed her into the restaurant one last time.



© 2011 Ben Safta

Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Australia License

Bonds

A water drop formed at the end of a pipe and glinted brightly in the hot afternoon sun. The face of a man grew larger in the reflection until the lines around his eyes and the wariness of his expression became clear. John looked into the drop intently as it grew, slowly elongating, before falling in an instant.
He turned his head at a distant sound, a low rumble. He peered out at the wide, flat landscape, the red of the earth offset by the deep blue cloudless sky. Beyond the heat shimmer, far off in the distance, dust was being kicked up; an aberration on serenity.
John squinted. He wiped his brow of sweat and dirt and let some moisture build up between the grit in his mouth. 'Looks like company, Sam,' he said to his companion, in a slightly exaggerated Australian accent.
He scratched his bushy beard thoughtfully. 'This can't be good.' He said this to himself but his companion offered a quiet bark of understanding.
John looked toward the house which seemed tiny in its wide surroundings. The white paint was faded and peeling after too many hot summers, exposing the wooden structure beneath like open wounds.
Knowing he had plenty of time, and not needing any, he casually made his way past a mob of emus, held in by a makeshift wire fence, and walked by a lopsided Hills Hoist to a screen door. He walked through, ignoring the drawn-out squeak it made, and waited.

With the sounds of Sam barking, John opened the door to two tired men. The man on the left was sweating under a thick suit and sunglasses. The man on the right wore a bright orange top and a large Akubra hat. John peered at the suited man, narrowing his eyes, while the other man spoke.
'Sir, I am Linus from the Royal Swedish Academy of Sci...'
'No, thank you,' said John, cutting him off and closing the door abruptly.
The two men looked at each other.
The suited man played with the tiny chunk of hair below his lip and then knocked hard on the door. 'Let us in, John,' he shouted.
A moment later the door opened. The two men were given the sight of a quickly vanishing John.
They found him picking his finger nails at a small dining table in the kitchen. He stared blankly into a half-finished glass of vodka.
Entering last, Linus stood stiffly and said, 'Sir, let me say it is an honour to finally meet you. To be honest, I have had a little crush on you for a long time, professionally speaking of course. What you have done, what you have achieved, I just can not believe I am in the same room as... '
'Get rid of those,' said John curtly, without looking up.
'Sir?' said Linus.
John looked up at the suited man. 'Get rid of your sunglasses, Richard. We're inside. It makes you look stupid.'
Richard paused. He waited long enough to show he wouldn't just do anything he was told to, before removing his sunglasses slowly.
Linus followed suit by taking off his hat. He looked down with an expression of embarrassment and respect.
'What do you want?' demanded John. 'I'm a busy man.'
'I can see,' said Richard, watching John idly chew his fingernails. 'This is important, John.'
'Of course it's important,' said John. 'It's always important. You wouldn't be here if it wasn't important.'
'John...' pleaded Richard.
'Stop calling me that!' said John.
'All right,' said Richard. 'But it's been three years. You didn't respond to any of my messages. At least hear me out.'
John took a break from his fingernails and sat back, showing a slight hint of compassion.
Richard's lips curled up. 'You've got it,' he said. 'The prize!'
'I've got a whole chunk of prizes,' said John.
'Not like this. The prize.'
'Don't want it,' said John.
Linus turned his head sharply, his wide eyes focussing on Richard. Turning back to John, he said: 'Err, Mr Starkovich, with all due respect, perhaps you do not know which prize we are referring to.'
'I know it. Don't want it.'
'Why?' said Richard, slowly.
John waved his hand vaguely in the air. 'Because...'
Richard waited for an end to the sentence, but it had none. 'Because...?'
'Just because,' said John.
'But there must be a reason,' said Richard. 'You spoke about this for as long as I can remember. It's what every physicist strives for.'
'No!' said John forcefully. He leant forward. 'Every real physicist strives for the betterment of understanding. Every real physicist wants to learn, wants to know. We ask questions; and we do our damned best to answer those questions. We don't do it so that some administrator can pat us on the back like a mutt and say "Good boy, here's a biscuit." '
Richard suppressed his anger. It wasn't personal, it's just what he did. He liked to play with you, put you off your game. You need to focus on why you're here.
'But why not do both?' said Richard, straightening his jacket suit. 'You can learn. You can ask questions. You can help civilisation all you want...'
'And you certainly have,' interrupted Linus.
'But why not get the biscuit as well?' said Richard.
'No, thanks,' said John, standing up. 'So if that's all you gentlemen were here for...'
'Uh, sir,' said Linus, 'would it be possible to get a beverage before leaving? It is very hot.'
John breathed in and out loudly before relenting. He shuffled over to a large ceramic pot in the corner of the room and removed a damp cloth from the top.
'Sir, is that a Zeer pot?' said Linus, rushing over with enthusiasm.
'It is,' said John.
'I've never seen them before,' said Linus. 'Only hearing of them.'
'Oh,' said John. 'I put it together a few months ago. No electricity when you're in the dead centre of nowhere.'
'How ironic,' said Linus.
John allowed Linus a peek inside, showing the pot within the pot, with dirt sandwiched between. Inside the inner pot sat two bottles of water and two pears.
Richard sat down at the table, uninterested.
'How cold is it inside?' asked Linus.
'Doesn't keep things as cold as a fridge, of course, but out here even mildly cool water during the middle of a scorcher is a godsend.'
Richard narrowed his eyes at the last word.
'Mmm, I am sure,' said Linus. 'It works by evaporative cooling, correct?'
John nodded enthusiastically, a smile forming on his face. 'Yeah, kind of like sweat,' he said. Becoming more animated, he picked up a bottle and poured some water on the dirt. 'As the water evaporates, it cools whatever's adjacent to it. Which in this case is the pot and its contents.'
John plonked two glasses onto the table.
'You certainly like using water for energy,' said Linus.
John poured the water slowly, watching it sparkle from the light streaming through the window. 'Water is life,' he said, passing one glass to Linus. He looked over at Richard, then down at the second glass. 'It's the most precious thing...'
Richard watched John's expression become serious, sombre and downcast, with eyes looking out toward nothing and everything all at once. To Richard, John's body appeared to become smaller, less threatening and more vulnerable. He noticed the thick lines around John's face and wondered why he hadn't noticed them before. It was almost like he was looking at a different person, an old man.
Richard opened his mouth and spoke, so quiet it was barely audible. He uttered a single word, with no emotion save a tinge of bitterness he could not conceal: 'Budmo.'
'Hey,' cheered John automatically, taking a swig of vodka mechanically.
Richard said it again, a little louder. 'Budmo.'
'Hey!' cheered John, then stopped. He seemed to grow in size as he looked over at Richard, eyes hard. 'This is no celebration. There is no joy, no happiness.'
'I think I know why you wont accept, now,' said Richard, boldly.
'No Richard,' said John. 'You don't.'
'Is that why you've run away from everything?'
'No.'
Richard continued, softer in tone. 'You need to move on.'
'Don't do this,' said John.
'She would have wanted you to accept,' said Richard.
John stood up abruptly. 'Don't...!' he said, stopping short. He spoke with gritted teeth: 'Linus, mate, have you ever seen emu's in the flesh?'
Linus took a quick look out the window before nodding in understanding. 'Ah, my little girls will be jealous,' he said. 'Excuse me.'
John watched Linus leave before leaning over Richard. 'I know I haven't shown you much hospitality so far,' said John, 'but let this be clear: if you ever, ever, say anything like that again, you'll be out on your arse faster than a rabbit's donger.'
Shaken and scared, Richard nodded.
'Use your mouth, boy!' said John.
'Yes, sir,' said Richard, meekly.
John leant back. His expression changed, becoming confused, like he no longer recognised Richard. He sat back down and finished off his vodka.
Richard plucked up the courage to speak. 'We needed to do that before,' he said. 'Talk about things. We could have dealt with all this together.'
'You don't deal with something like that,' said John. 'It's not something that just goes away. It lingers, like a mist. Always there, reminding you.'
'Trapped, no way out,' said Richard, dreamily. 'I hurt too, you know.'
John stood to leave the room. 'I'm not having this conversation. You shouldn't have come.'

Richard's sunglasses sat on a ledge. His head was buried in the top of a rusted drum. He rose and rubbed his wet face, water dripping abundantly.
Richard looked down into the water, examining his reflection. His eyes were a little red and some stubble was already growing. More drops fell from his face, making his reflection ripple.
He rubbed his face with a hot, dry towel and fixed his suit, straightening it. Richard's lips became pursed and his expression became more serious as he picked up the sunglasses. He went to put them on then stopped, placing them in his jacket pocket, before walking out the room.

John sat on an old lounge chair, reading a thick reference book on the natural world, when Richard entered. Another glass of vodka had materialised, drawn to John like a magnet. The room was bare apart from a cranky father and a bookshelf. Avoiding them both, Richard made his way to the lone window which provided the only source of light in the room. He looked out, watching Linus move his outstretched hand to one of the emu's before pulling it away quickly, afraid of its sharp beak.
Richard floated slowly to the bookshelf, trying not to make a noise in the quiet room. He let his finger run down a few physics titles and picked one at random. He sat on the floor, cross-legged, pretending to read.
'Always an easy answer with you, isn't it?' said John, before peering over his book at Richard.
Richard looked back.
'Even when you were younger,' continued John, 'you never wanted to examine things closer, look for a more complete understanding. You always wanted the short version.'
'Occam's razor,' said Richard. 'The simplest explanation tends to be the right one. See, you did teach me something.'
'Ah, so you're just following the scientific method? Great! Let me see...'
John leapt to his feet, grabbed some chalk which sat on the bookshelf, and walked to a blank wall. He scribbled the word “Observation”, circling it.
'So you've observed that I don't want to accept the award,' said John. 'And your question is “why?”'
Richard thought for a moment. Why was he doing this? He'd have nothing to gain and everything to lose, surely? What am I missing?
'I'll ignore your thoughtless suggestion from earlier,' said John. 'So what other reason could there be?' He drew an arrow between the word “Observed” and a new word, “Hypothesis”. 'What's your hypothesis?' he said, circling it.
Richard decided to go along with the game. 'OK,' he said. 'You're going to say it's for idealistic reasons. You will say that science should be pure, that we shouldn't make a business out of it. That it needs to be done for the right reasons, ethical reasons. You'll say it's a kind of protest vote, to not accept. How am I doing?'
'Interesting hypothesis,' said John. 'It certainly sounds like a good reason to me.' As he spoke, John drew another arrow from the word “Hypothesis” to a new word, “Test”. 'But how would you test it? Bearing in mind, of course, that this is quickly devolving into the realm of one of the softer sciences, psychology.'
Richard smiled. Why was he making this so easy? 'My test has a few faults, but I'd perform it by determining if you were an ethical person,' he said. 'If you weren't, the test would fail, and we'd have to start again. Let's just say I've got my money on needing a new hypothesis.
For a moment, and only a moment, Richard noticed a slight change in John's expression. Then it was gone.
'And how can you tell if I'm an ethical person?' said John.
'Let's see,' said Richard, trying to draw it out. 'I would say that if an individual decided to fudge some numbers; add a few here, remove a few there...all so they could acquire enough funding to do some - albeit extremely important and world-changing - science. Yeah, I'd say if they did that, they would be unethical.'
'Good,' said John, turning back to the wall. 'So that hypothesis is wrong. We can move back and try another one.' He drew an arrow back from “Test” to “Hypothesis”. 'Oh,' he said, turning back for a moment, 'you weren't expecting me to be shocked at your great detective work, were you? Maybe you thought I'd get defensive and give you the opportunity to reveal your damning evidence, like in some fake movie trial, hmm? It doesn't work that way in the real world, Richard. Some poor scapegoat, some paper-pusher, may get knifed in the back and lose his job, but that's where it'll end. Next hypothesis, please.'
Richard had to think quick, regain his composure. 'OK, forget all this hypothesis stuff. At least tell me one thing: is that why you ran away from work?' Richard looked up at John. 'Is that why you ran away from me?'
John looked away. He took a few slow steps and sat back down in his chair. 'It's not like you're still a child,' he said. 'You're an adult. You can look after yourself.'
'But we needed each other. I needed you.'
'I needed to be alone. You don't understand. Work was all I had. It was the only thing that took my mind off it. If I buried myself in the work, focussed absolutely on that and only that, I could make it one or two minutes without remembering. Without seeing her in my mind. Without smelling her, tasting her.'
Richard blinked, his eyes welling up. He clutched the book in his hands, holding it close to his body.
'So I'd go in to work every day,' continued John. 'And every day things got worse. Our funding was fading away. Since the basic research was done, all the money moved to engineering and in implementing the reactors. I could see the writing on the wall. There's no room for people who have done things any more. The world is only fit for those who are in the process of doing, or who will do.'
'You could have got a job somewhere else. You can't tell me you weren't in demand.'
'Didn't seem worth it any more. There'd be new people to get around. More rooms full of dolts who all pretend to understand your work and get upset if you don't treat them like royalty. More people who love to feel important. But they're not. They're nothing. Just parasites. Worse than parasites! They get in the way of actual work getting done.'
'That's enough! These administrators you like to poke fun at are the only reason you could do what you did. You wouldn't have the money, the equipment, or the people without them.'
'Newton didn't need them. Neither did Tesla.'
'Tesla this, Tesla that. You know what? You're not Nikola Tesla. You're John Starkovich: good physicist, possible Nobel laureate, and horrible father. That's it!'
'Good physicist? Hmph! So your best comeback is a quid pro quo ad hominem attack? You were never good at creating a convincing and cogent argument. If I have one fault, it's not being firm enough with you. When I was a boy, your grandfather used to force my sisters and myself to debate him before dinner. We learnt the hard way, the best way. On one occasion, when I was getting a little ahead of myself, I tried to convince him that we should get extra...'
'Extra helpings for dinner, I know. And you lost and ended up with nothing. Well you know what? Your dad was a horrible father, too.'
John paused for a moment, thinking.
'OK,' he said. 'OK. A father should look out for his son, that's what your saying?'
Richard looked back. He may not have been a skilled debater but he knew not to answer a question without any idea where it would lead.
'If I accepted the prize,' continued John, 'it would help your career too, wouldn't it?'
'I'm not here for myself,' said Richard defensively. 'I'm here to make sure you accept what you deserve.'
'My very own Mephisto,' said John under his breath. 'But,' he said, louder, 'if it ever came up during budget time or for an application, you'd have to answer honestly that the venerable John Starkovich is indeed your father, correct? You certainly couldn't lie – that would be rude.'
'What are you getting at?' said Richard.
'And if that so happened to get you the deal, get you more money, more power; well, that's just icing on the torte.'
'I do what I can for the institute,' said Richard. 'We have a lot of overhead these days. It's not like before. We need more ancillary personnel.'
'More middle-managers you mean. More hoops to jump through for the people who should be getting the resources: the actual scientists.'
'We do some great science. I'm proud of what my guys do.'
John's eyes narrowed. His snarl slowly turned into a smile. 'You know what? I've decided to accept.'
'What?' said Richard, still guarded.
John beamed. 'I want to accept the prize,' he said.
Richard didn't like that smile. 'Why?'
'Why not?' said John. 'What did you say...I can get the biscuit as well?'
'Well, good. I guess.'
Richard knocked on the window. He gave a thumbs up symbol to Linus, then motioned for him to come back in the house.
'You've made the right choice,' said Richard, turning back to John. 'You deserve this.'
'We deserve this,' said John, still smiling.
'Maybe,' started Richard, 'maybe we can stay in touch more. You could even live with us for a while. See your grand-kids. I'm sure they'll give you a good debate, trust me.'
'It is all good?' said an out of breath Linus, rushing into the room. 'You will be accepting?' he asked John.
'I'm accepting,' said John.
Linus beamed.
'...on one condition,' said John.
Richard shot his father a look.
'Oh, well, I am sure we can accommodate,' said Linus.
'What condition?' said Richard, firmly.
'Oh, it's nothing too onerous, my boy. I will accept the Nobel prize if you step down from your role as director of the institute.'
'What?' said Richard.
'And vow never to work in a research facility again,' continued John.
'You can't be serious,' said Richard.
'Now, let us not be rash,' said Linus, looking at Richard.
'Why?' said Richard.
'Let's just say it's my one contribution to the people who do the actual work there. It's not a big gesture, perhaps, but I'm reminded of that joke, the one about a thousand dead lawyers at the bottom of the ocean.'
'Ah, I know that one,' said Linus, who laughed and then cuffed his mouth quickly.
Richard was unmoved. 'And what should I do instead, hmm? What would be satisfactory to the great John Starkovich?'
'That's up to you, Richard,' said John. 'It's your life.'
Richard stared back.
'Having said that,' continued John, 'a man of my age has built up a reasonable level of wisdom over the years. There are a great many leeches in this world, Richard. And a great many drains on society. If you could allow an old man just one suggestion, one tip, one thought, it would be to make yourself useful. Do something which benefits and enriches society. Do something important.'
'My work is important. I'm important.' Richard adjusted his tie nervously.
'Your honours focus was in biochemistry. You enjoyed it. You should go back to it.' John became more upbeat, almost pleasant.
'Ugh, I didn't enjoy it. You enjoyed that I did it. I wasn't even very good.'
'Of course you were. Just needed a little more discipline. That's something you learn as you get older.'
'I'm good at what I do now. Stop holding on to this stupid thought that I'll become a scientist.'
John became much more serious. 'You're going to have to come up with something soon. Otherwise you'll be unemployed.'
'I just said I won't do it,' said Richard.
'But we are talking of the prize, Richard,' interrupted Linus. 'It is bigger than all of us.'
'He's playing games,' said Richard. 'Trying to make a point.' Richard looked at John. 'Well done, you've proven what a big man you are and what you think of my life. Stop being stupid and just accept the prize like the old dolt you are.'
'Richard,' said Linus, 'please excuse me, it is not really my business, but is it disrespectful to say that about your father? Let alone such an eminent scientist.'
John smiled.
'You're unbelievable,' said Richard, shaking his head at John.
'It's just a humble request from an old dolt,' said John.
'I am sure we can arrive at a good solution,' said Linus.
'I can't believe you're going along with this,' said Richard. 'You've both lost it. I'm getting out of here. Come on.'
Richard slammed the door on the way out, leaving Linus and a smiling John.
'I will convince him,' said Linus. 'We will work it all out. It was an honour to meet you, Mr Starkovich.' Linus bowed before taking John's outstretched hand and shaking it profusely.
'Likewise,' said John.
'We will be in touch!' said Linus.
John watched them both through the window. Richard stood by the car, animated and upset. Linus attempted to placate and relax him before the assuredly heated trip.
John noticed his reflection in the window. His smile faded and his face drooped. Harsh wrinkles formed. He looked down and walked slowly away from the window.




© 2010 Ben Safta



Scent

I was at the shops when a girl floated past. A few seconds later her scent followed, filling my nostrils. It made me think of you. It was your scent. I used to smell it every day when we were together. And when I was alone. Especially when I was alone. It was not only in my clothes but in my heart.
We used to play stupid games with each other. We'd watch strange looking people go by and come up with a character name for them. Do you remember the Purple Leprechaun? Or the Goth Cowboy? Afterwards, I'd use your full name disapprovingly to chastise you. And you hated it. But you'd laugh. I loved to hear you laugh.
Even when we weren't together, I used to think about you constantly. Wonder whether you were smiling, laughing. Hoping you weren't sad or feeling alone. I made sure you knew I loved you. It was all I could really offer. I didn't have money or a fancy career. Or any future for that matter. But I had love and I had you.
Then you left. You left and it hurt. My stomach retched, my head ached. I was sick. Sick for weeks, for months, for years. At least I think I was. I have a vague memory of a misty thought. Like a dream of a dream: colourless, without shape.
Even in my pain I would picture you naked. It was easy. I knew every part of your body: where your skin was soft and where it wasn't; the location of every cute dimple and tiny lump. Now I can't even remember your body shape. Did you have an hour-glass figure, like the girl that went past? Or were you straight and thin? This isn't right. Why don't I remember?
I would go to bed each night humming the M*A*S*H theme song, hoping beyond hope. If I couldn't be with you then there was no point. The easy way really did sound easy. Even in those moments I'd still know you better than you'd know yourself. Even if I couldn't see you, I'd still know what you'd be doing, what clothes you'd be wearing. You loved to wear...jeans? Or was it a dress? Black? Red? I used to know all this, know everything about you, think of nothing else, but now... Now I don't know. Why don't I know?
Whenever I closed my eyes you were there in front of me, blinking in that cute way. Did you even have a way of blinking?
Did you have funny shaped lips or am I thinking of someone else? Why can't I remember?
We tried to be friends. You'd talk to me about what books you'd read. Did you read? Or just watch DVD's? Did you like documentaries? Maybe we weren't friends. Maybe that never happened.
Come to think of it, I'm not even sure it was your scent. I thought smells were connected to memories. That every scent you inhaled brought back poignant thoughts and feelings; those of long ago. Did I just hope it was your scent? Is my mind playing tricks?
It's funny. You were such a huge part of my life. How can I forget someone who filled my soul? How can I forget someone who crushed me and brought me to the brink of an early death?
You know what's even funnier? I can't even remember your name.




© 2010 Ben Safta




My Daddy Is The Best Daddy Ever

My daddy is the best daddy ever. He never gets upset at me.
We do lots of things together, like drawing and playing games outside. But not when it's cold. He touches my nose when it's cold. It warms me up.
It's really, really, really cold here. And it smells funny.
Daddy smells nice. Except when he farts.
He takes me to soccer. He puts bandaids on me when I fall over at soccer. The grass is hard!
This bench is even harderer. I'm bored. I wanna see daddy!
He always makes me smile. He says, smile and the whole world smiles with you. I don't know what it means but it makes me happy.
Daddy never gets angry at me. He loves me. He told me! More than anyone else in the whole universe!
Heaps of other people are here. Heaps of strangers.
Daddy said not to talk to strangers. Stranger danger! He's so strong, he could beat them all up. He puts me on his shoulders so I can see Santa.
He's the best dad ever. I don't wanna wait any more. I wanna give him my Father's Day card. It has a funny looking man on it.
A man said daddy smoked the wrong thing. I didn't say anything 'coz daddy said not to talk to strangers. The man said daddy is behind bars. But I can't see any chocolate.
I like chocolate. Daddy used to give me chocolate. Then he'd wink and say not to tell mummy.
I miss daddy.




© 2010 Ben Safta